5 Frames… At home ILFORD Ortho PLUS (35mm Format / EI 80 / Canon AE-1 + Canon 50mm f/1.8) – by Tessa Klingensmith
At the beginning of 2020 I got my hands on the then newly released 35mm ILFORD Ortho PLUS. It was the first low speed black …
My first roll… Of 35mm film – Kodak Tri-X 400 – by Gregory W Brown
I’m not 100% sure that this is my very first roll, but based on the crap technique and some of the subjects, I’m pretty certain …
Read moreMy first roll… Of 35mm film – Kodak Tri-X 400 – by Gregory W Brown
EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that …
Read moreEMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film
EMULSIVE interview #207: I am George Quiroga and this is why I shoot film
Up for this week’s fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years — above ground …
Read moreEMULSIVE interview #207: I am George Quiroga and this is why I shoot film
Research: is there really a difference between real and simulated film photographs?
To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
5 Frames… With Psychedelic Blues (EI 400 / 35mm format / Canon AE-1) – by Hannah Pitstick
Psychedelic Blues Film is a line of experimental rolls of Kodak Ultra Max hand-fogged by photographer Dustin Adams and sold through his online shop. Each batch is unique and every roll contains an element of unpredictability.
EMULSIVE interview #190: I am Simon Riddell and this is why I shoot film
Based in the Scottish Highlands, today’s interviewee gets about a bit, and I don’t just mean island hopping in the Scottish seas.
5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1) – by Colleen Bryant
The images in this series are abstracted Houston landscapes, shot on 35mm film.
EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film
A massive thanks to today’s guest for bearing with me over the past few months.
EMULSIVE interview #137: I am Mads Madison and this is why I shoot film
Even if you have a short memory, you’ll remember today’s interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;
EMULSIVE interview #61: I am Chris Wood and this is why I shoot film
Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography.
Over to you, Chris
What’s this picture, then?
Jellyfish
It’s one of my happiest
