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film.photography

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Home » Canon AE-1

Tag: Canon AE-1

Posted in5 Frames...

5 Frames… Of portraits with an industrial vibe on Japan Camera Hunter Streetpan 400 (35mm / EI 200 / Canon AE-1 + FD 50mm f/1.8)

by Josh KnowlesDecember 13, 2021December 13, 2021

The guys at my local camera shop seem to always have some new film to recommend! The most recent thing that was new in stock was Japan Camera Hunter Streetpan 400. I wasn’t familiar with it at all, but after being shown a few sample images, I decided to take a roll and test it […]

My Canon AE-1 + FD 70-210mm f/4, Josh Knowles
Posted in5 Frames..., Articles

5 Frames… Testing a Canon AE-1 on Kodak Portra 400 (35mm Format / EI 125 / Canon AE-1 + FD 70-210mm f/4)

by Josh KnowlesMarch 11, 2021July 31, 2021

“Miss Kozun, you look fantastic! Love the outfit” … “Thanks! It was either this or I was going to be wearing a giraffe onesie all day!” Oh, 2020, what a strange year you have been! Thankfully with only a few days left, Kristi and I managed to squeeze in a little respite of normal and […]

5 Frames... At home ILFORD Ortho PLUS (35mm Format / EI 80 / Canon AE-1 + Canon 50mm f/1.8) - by Tessa Klingensmith
Posted in5 Frames..., Articles

5 Frames… At home ILFORD Ortho PLUS (35mm Format / EI 80 / Canon AE-1 + Canon 50mm f/1.8)

by Tessa KlingensmithJanuary 8, 2021July 31, 2021

At the beginning of 2020 I got my hands on the then newly released 35mm ILFORD Ortho PLUS. It was the first low speed black and white that I had shot, as I’d previously been shooting HP5 PLUS or Kodak Tri-X 400 pushed 2-stops to EI 1600. I found that pushing black and white gave […]

Posted inArticles, My First Roll...

My first roll… Of 35mm film – Kodak Tri-X 400

by Gregory W. BrownApril 15, 2020July 31, 2021

I’m not 100% sure that this is my very first roll, but based on the crap technique and some of the subjects, I’m pretty certain that if it’s not the first roll, it’s not far off. I took a couple of photography classes in high-school and saved most of the negatives and a few of […]

Ejatu - INDODA
Posted inFilm Photographer Interviews

EMULSIVE interview #214: I am Ejatu Shaw and this is why I shoot film

by EMMarch 4, 2020July 31, 2021

I first came across today’s interviewee back in December 2019 after she posted a video messing around with Kodak Gold in Barcelona. Thanks to that quick DM and ensuing chat, I’ve finally been able to get her to grace these pages as interviewee #214. Ladies and gents, this is Ejatu Shaw. Hi Ejatu, what’s this […]

Posted inFilm Photographer Interviews

EMULSIVE interview #207: I am George Quiroga and this is why I shoot film

by EMOctober 9, 2019July 31, 2021

Up for this week’s fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years — above ground and underwater. There’s some great reading below and suitably fantastic photography to boot. So with that, it’s over to George… Hi George, what’s this picture, then? Under Cover – Canon […]

Cover: Research - is there really a difference between real and simulated film photography
Posted inExperiments

Research: is there really a difference between real and simulated film photographs?

by Roy FochtmanJune 19, 2019July 31, 2021

To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.

5 Frames With... Psychedelic Blues (35mm / EI 400 / Canon AE-1) - by Hannah Pitstick
Posted in5 Frames..., Articles

5 Frames… With Psychedelic Blues (EI 400 / 35mm format / Canon AE-1)

by Hannah PitstickJune 7, 2019July 31, 2021

Psychedelic Blues Film is a line of experimental rolls of Kodak Ultra Max hand-fogged by photographer Dustin Adams and sold through his online shop. Each batch is unique and every roll contains an element of unpredictability.

Lead the Way
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #190: I am Simon Riddell and this is why I shoot film

by EMOctober 24, 2018July 31, 2021

Based in the Scottish Highlands, today’s interviewee gets about a bit, and I don’t just mean island hopping in the Scottish seas.

Avatar - Colleen Bryant
Posted in5 Frames..., Articles

5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1)

by Colleen BryantJuly 21, 2018July 31, 2021

The images in this series are abstracted Houston landscapes, shot on 35mm film.

Where The Water Meets The Land, Lomography Lady Grey, ISO 100, Canon AE-1, Near Cooperstown, NY
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #165: I am Thomas Slatin and this is why I shoot film

by EMDecember 6, 2017October 16, 2020

A massive thanks to today’s guest for bearing with me over the past few months.

Lawn - Unknown
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #137: I am Mads Madison and this is why I shoot film

by EMApril 26, 2017October 16, 2020

Even if you have a short memory, you’ll remember today’s interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;

Untitled - Chris Wood
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #61: I am Chris Wood and this is why I shoot film

by EMFebruary 23, 2016October 16, 2020

Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography.

Over to you, Chris

 

 
What’s this picture, then?

Jellyfish

It’s one of my happiest

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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of panoramas in Grenoble on Kodak Panchromatic Separation Film 2238 (35mm Format / EI 12 / Horizon Perfekt + OF-28p 28mm f/2.8 MC lens) – by Alfonso Carpio Rovira
  • Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown Graphic
  • 6 Frames… Of macro-ish photos on ADOX COLOR MISSION 200 and a Nikkor OC 35mm + macro tube (EI 200 / 35mm Format / Nikon F)
  1. Pip on A creative machine: The Konica C35 EFPMay 26, 2022
  2. Jesse on The new Lomography DigitaLIZA + / Max film scanning kits for 35mm and 120 filmMay 25, 2022
  3. EM on Unidentified Black Male, or 8 out of 10 frames: Creating a small body of personal portraiture on Fuji FP-100c instant film with a Graflex Crown GraphicMay 23, 2022
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