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EMULSIVE interview #207: I am George Quiroga and this is why...

Up for this week's fresh EMULSIVE interview slot is George Quiroga who has been out there catching light for over 50 years...

Research: is there really a difference between real and simulated film...

To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.

5 Frames With… Psychedelic Blues (EI 400 / 35mm / Canon...

Psychedelic Blues Film is a line of experimental rolls of Kodak Ultra Max hand-fogged by photographer Dustin Adams and sold through his online shop. Each batch is unique and every roll contains an element of unpredictability.

EMULSIVE interview #190: I am Simon Riddell and this is why...

Based in the Scottish Highlands, today's interviewee gets about a bit, and I don't just mean island hopping in the Scottish seas.

5 Frames With… Kodak Tri-X 400 (35mm / EI400 / Canon...

The images in this series are abstracted Houston landscapes, shot on 35mm film.

EMULSIVE interview #165: I am Thomas Slatin and this is why...

A massive thanks to today's guest for bearing with me over the past few months.

EMULSIVE interview #137: I am Mads Madison and this is why...

Even if you have a short memory, you'll remember today's interviewee from their guest post on experimental development with mouthwash, orange juice and a whole bunch of other household goods;

EMULSIVE interview #61: I am Chris Wood and this is why...

Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood, recent convert (is that the right phrase?), to film photography. Over to you, Chris     What’s this picture, then? Jellyfish It’s one of my happiest