Tag: Zenza Bronica ETRSi Film Camera
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5 Frames… Of Reno, the Biggest Little City in the World on Kodak Portra 400 (120 Format / EI 400 / Zenza Bronica ETRSi + Zenzanon EII 75mm f/2.8)
It was a sunny but cold day in November 2020. Coronavirus was in full swing, but I decided to head up from Las Vegas to Reno for a week to get away from the job search which had characterized my existence for the previous few months and see my brother. On my agenda for the…
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5 Frames… at the Fiesta de Santo Tomás with Kodak Tri-x 400 / 120 format / EI 320 / Zenza Bronica ETRSi)
Every year from the 13th to the 21st of December, the town of Chichicastenango in the Mayan highlands of Guatemala celebrates its yearly festival. The name of the town is a mouthful, so it’s better known as simply Chichi. The town seems frozen in time honoring a fusion of traditions imposed by the Spanish conquistadors…
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Film stock review: LomoChrome Metropolis XR 100-400 in 35mm and 120 format – A new color negative favorite
In 2019 Lomography announced the launch of a Kickstarter campaign to fund a brand new film emulsion: LomoChrome Metropolis XR100-400.
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EMULSIVE interview #212: I am Alys Tomlinson and this is why I shoot film
Welcome to the latest EMULSIVE interview, featuring none other than Alys Tomlinson, Sony World Photography Awards, Photographer of the Year 2018. There’s a lot to unpack here, so I’ll let Alys crack on. Over to you, Alys! Hi Alys, what’s this picture, then? AT: This was the first portrait I took for my project Ex-Voto.…
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EMULSIVE Interview #204: I am Richard Davies and this is why I shoot film
Plates, films, stars and scenes. I’ve been following today’s fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back in June 2015 and I’m so, so happy to have finally been able to get him on for an interview. It’s Twitter’s Palaeoboy, aka Richard Davies! Over to you, Richard… Hi Richard, what’s…
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My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
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5 Frames… With Cinestill 50D (EI 50 / 120 format / Zenza Bronica ETRSi)
I first bought this film to try Cinestill out as a brand. I was really curious about the company because of the concept of using movie stock film to create still photographs.
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Test shots: Revolog Kosmos (35mm) + Bronica ETRSi
A few weeks ago, Nils suggested putting together an unorthodox camera/film review that he felt would be useful to readers of EMULSIVE. He wasn’t joking, it was anything but orthodox.
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Camera review: Zenza Bronica ETRSi
Today I’m going to be talking a little about my Bronica ETRSi kit, a camera I came to after my first proper step into film photography with a Bronica ETRC (I discount my Holga for obvious reasons, although I had
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EMULSIVE interview #107: I am Scott Barman and this is why I shoot film – NSFW
Before you scroll on, please be aware that today’s interview is decidedly Not Safe For Work. Just in case you need some space, the interview starts below. Scroll down when you’re ready. I’m sitting down with Scott D
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EMULSIVE interview #71: I am Seth Harwood and this is why I shoot film
We grabbed some time to bring you the thoughts and images of Seth Harwood, South Dakotan and night shooter extraordinaire. There’s plenty of stunning work for you to absorb below, so without further ado, it’s over to Seth.  
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EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film
Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this
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EMULSIVE interview #55: I am Paul Berry and this is why I shoot film
Grab a coffee and a pack of your favorite biscuits, this is going to be a long and interesting read.
Recently published
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