Tag: Black and White Negative Film
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Photography: Tree of life – FILM Ferrania P30 Alpha (35mm)
Tree of life Shot on FILM Ferrania P30 Alpha at EI 80 Black and white negative film in 35mm format
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Photography: Net – Shot on FILM Ferrania P30 Alpha (35mm format)
Net Shot on FILM Ferrania P30 Alpha at EI 40. Black and white negative film in 35mm format Over exposed one stop
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Photography: Let the light shine – FILM Ferrania P30 Alpha (35mm)
Let the light shine Shot on FILM Ferrania P30 Alpha at EI 320 Black and white negative film in 35mm format Push processed 3 stops and over exposed one stop
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Photography: Halo – FILM Ferrania P30 Alpha (35mm)
Halo Shot on FILM Ferrania P30 Alpha at EI 80 Black and white negative film in 35mm format
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Photography: Ginger snaps – Lucky New SHD 100 (35mm)
Ginger snaps Lucky New SHD 100 shot at EI 50 Black and white negative film in 35mm format
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Photography: Fluff monster – Bergger Pancro 400 (120)
Fluff monster Shot on Bergger Pancro 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1-stop
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Photography: I don’t – Shot on Kodak Tri-X 400 at EI 400 (435mm)
I don’t Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format Overdeveloped two stops (N+2) Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: Stairs – Shot on ILFORD DELTA 100 PROFESSIONAL at EI 800 (35mm)
Stairs Shot on Ilford Delta 100 Professional at EI 800 Black and white negative film in 35mm format
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Photography: No loitering – Fuji Neopan 400 (35mm)
No loitering Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Nice perch – Ilford Delta 100 Professional (35mm)
Nice perch Shot on Ilford Delta 100 Professional at EI 800 Black and white negative film in 35mm format
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Photography: I am 苦 / I am kǔ / I am bitter – Oriental Seagull 400 (35mm)
I am 苦 / I am kǔ / I am bitter Shot on Oriental Seagull 400 at EI 400 Black and white negative film in 35mm format
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Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Crisp – Shot on Kodak T-MAX 400 – TMY-2 (120)
Crisp Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Crease – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Crease Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Stark – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Stark Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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Photography: Nameless launch – Kodak T-MAX 100 (120)
Nameless launch Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 120 format shot as 6×6 Orange 21 filter
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Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×12
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Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
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Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
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Photography: Dried out – Shot on Kodak T-MAX 100 TMX at EI 100 (120 format)
Dried out Shot on Kodak T-MAX 100 (TMX) at EI 100. Black and white negative film in 120 format shot as 6×6.
Recently published
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