Tag: Black and White Negative Film
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Photography: Ready for the rain – Shot on Kodak Tri-X 400 at EI 400 (35mm)
Ready for the rain Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 35mm format
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Photography: STOP – Shot on ILFORD Pan 100 at EI 1600 (35mm format)
STOP Shot on ILFORD Pan 100 at EI 1600 Black and white negative film in 35mm format Push processed 4 stops
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Photography: Chained – Shot on Fuji Neopan SS (35mm)
Chained Shot on Fuji Neopan SS at EI 100 Black and white negative film in 35mm format
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Photography: Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6×12
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Photography: Got…that…itch… – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Got…that…itch… Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format
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Photography: Lunch for three – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Lunch for three Shot on ILFORD FP4 PLUS at EI 125 Black and white negative film in 35mm format
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Party’s over – Shot on Rollei Infrared 400 at EI 400 (120 format)
Party’s over Shot on Rollei Infrared 400 at EI 400 Black and white infrared film in 120 format shot as 6×6 No filter Read the Rollei Infrared 400 review
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Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer Shot on ILFORD PAN F PLUS at EI 50 Black and white negative film in 35mm format
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Photography: Summer getaway – Shot on Kodak Portra 400 BW at EI 400 (120 format)
Summer getaway Shot on Kodak Portra 400 BW at EI 400 Black and white negative film in 120 format shot as 6×6 Chromogenic film Read the Kodak Portra 400 BW review
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Photography: Loading bay – Shot on ILFORD Delta 100 Professional at EI 100 (120 format)
Loading bay Shot on ILFORD Delta 100 Professional at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Sea of light – Shot on JCH Streetpan 400 at EI 12 (120 format)
Sea of light Shot on JCH Streetpan 400 at EI 12 Black and white negative film in 120 format shot as 6×6 R72 filter Read the JCH Streetpan 400 120 format review.
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Photography: 4x – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
4x Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops Read the full ILFORD HP5 PLUS review here.
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Photography: Clipped – Shot on ILFORD XP2 Super (120)
Clipped Shot on ILFORD XP2 Super at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: No flyers – Shot on Kodak Plus-X 125 (35mm)
No flyers Shot on Kodak Plus-X 125 at EI 100 Black and white negative film in 35mm format
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Photography: Jägermeister – Shot on Kodak BW print film 2302 (35mm)
Jägermeister Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8
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Photography: Asleep on the job – Shot on Kodak BW print film 2302 (35mm)
Asleep on the job Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8
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Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)
Almost there Shot on Kodak Black and White Print Film 2302 at EI 6 Black and white negative film in 35mm format Contax AX / Hasselblad Planar F 80mm f/2.8
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Photography: Panels – Shot on Silberra ULTIMA 200 at EI 200 (35mm format)
Panels Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
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Photography: Searching for an open door – Shot on Silberra ULTIMA 200 (35mm)
Searching for an open door Shot on Silberra ULTIMA 200 at EI 200 35mm black and white format film Orange #21 filter Leica M6 / Leica Tele-Elmarit 90mm f/2.8
Recently published
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- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
