Tag: Kodak Aero Ektar 178mm f/2.5
-
Photography: To the light – Rollei INFRARED 400 (4×5)
To the light Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
-
Photography: V – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
V Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
-
Photography: Bunched up – Shot on Rollei INFRARED 400 at EI 12 (4×5)
Bunched up Shot on Rollei INFRARED 400 at EI 12 Black and white negative film in 4×5 format AEROgraphic / Kodak Anastigmat 161mm f/4.5 / R72 filter
-
Photography: Where the wild things grow – Shot on Fomapan 200 Creative at EI 200 (4×5 format)
Where the wild things grow Shot on Fomapan 200 Creative at EI 200 Black and white negative film in 4×5 format AEROgraphic / Kodak Aero Ektar 178mm f/2.5
-
Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format shot as 6×12
-
Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×12 Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7″ (178mm) f/2.5
-
Lens love: shooting the Kodak Aero Ektar 7″ f/2.5 aka how I found my Kodak Aero Ektar, or how it found me
Up until the day I was able to call it “mine” I had never heard about the Burnett-Combo or David Burnett and I was completely unaware of the cult status of Kodak’s Aero Ektar lens. So why did I buy
-
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
-
Photography: 門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)
門 / mén / door #02 Shot on Fuji Provia 100F (RDP
-
Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)
Bougainvillea bonsai Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.  
-
Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12 Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
-
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 4 – reassembly
Welcome to the final stretch. If you’ve made it this far then you’re very close to seeing your AEROgraphic project come together.
-
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 3 – preparing and finishing the body
Welcome to part three of the AEROgraphic Project! There’s no time for preamble, as this is where things start to get really interesting (and fun).
-
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 2 – disassembly and strip down
Welcome back for part two of the naked Aero Ektar Speed Graphic project.
-
Photography: Creeping up – Shot on Kodak Portra 800 at EI 800 (120 format)
Creeping up Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6×12 Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6×12.
-
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials
This is the first of a six-part series in which I will describe the process of creating a “naked” Graflex Pacemaker Speed Graphic 4×5 camera and Kodak Aero Ektar lens combination;
-
Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6×12 Kodak Aero Ektar 178/2.5
-
Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
-
Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
-
Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)
Zion NPS #01 Shot on Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back