Category: Medium format
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Photography: Stack – Shto on Rollei Infrared 400 at EI 6 (120 format)
Stack Rollei Infrared 400 shot at EI 6 with R72 filter Black and white infrared film in 120 format shot as 6×6
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Photography: Mannequin parade – Shot on Rollei Superpan 200 at EI 3 (120 format)
Mannequin parade Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 720mn infrared filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!  
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Photography: Con-INFRA-erous – Shot on Konica Infrared 750 at EI 8 (120 format)
Con-INFRA-erous Shot on Konica Infrared 750 shot at EI 8 with #25 filter Black and white infrared film in 120 format shot as 6×6
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Photography: STP – Shanghai GP3 100
Shanghai GP3 100 shot at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Available for public use – Shot on Fuji Velvia 50 RVP50 (120 format)
Fuji Velvia 50 (RVP 50) shot at EI 50 Color reversal (slide) film in 120 format shot as 6×6 Cross processed
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Photography: Air roots #02 – Shanghai GP3 100 (120)
Air roots #02 Shanghai GP3 100 shot at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Light a candle – Rollei ATP 1.1 (120)
Rollei ATP 1.1 shot at EI 3 (Advanced Technical Pan) Black and white negative film in 120 format shot as 6×6
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Photography: Chromed Sakura – Rollei CR 200 (120)
Rollei CR 200 shot at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed + 2x teleconverter
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Photography: Chromed Sakura – Rollei CR 200 (120)
Rollei CR 200 shot at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed + 2x teleconverter
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Photography: Pineapple light study #02 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Pineapple light study #01 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Gated entry – Ilford XP2 Super
Ilford XP2 Super shot at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)
Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Shallotta problems – Kodak Verichrome Pan (VP 6041)
Kodak Verichrome Pan (VP120) shot at EI 100 Black and white negative film shot in 6×4.5 format Expired
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Photography: Full bloom – Shot on Fuji Velvia 50 RVP50 (120 format)
Fuji Velvia 50 (RVP 50) shot at EI 50 Color reversal (slide) film in 120 format shot as 6×6 Cross processed
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Photography: One to go, please – Kodak EKTACHROME 100VS – E100VS (120)
One to go, please Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Expired, push processed 1-stop and cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Good point, well made – Fuji Provia 100F – RDP III XPRO (120 format)
Good point, well made Shot on Fuji Provia 100F (RDP III) at EI 200.Color reversal (slide) film in 120 format shot as 6×6.Cross processed, push processed one stop. Read the Fuji Provia 100F (RDP III) review here. Good point
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Photography: Good point, well made – Fuji Provia 100F (RDP III XPRO)
Good point, well made Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed, push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
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Photography: At the window – Shot on Fuji Velvia 50 (RVP50)
Fuji Velvia 50 (RVP50) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: At the window – Shot on Fuji Velvia 50 (RVP50)
Fuji Velvia 50 (RVP50) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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