Category: Medium format
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Photography: Cold rolled steel – Kodak T-MAX 100 TMX (120)
Cold rolled steel Shot on Kodak T-MAX 100 at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Elbow grease – Kodak T-MAX 100 (120)
2016-05-19 – Elbow grease Kodak T-MAX 100 shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Waiting for first catch – Kodak T-MAX 400 TMY 6053 (120)
Waiting for first catch – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: All wrapped up – Kodak T-MAX 400 TMY 6053 (120)
All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Come and get ’em – Ilford FP4+ (120)
2016-05-12 – Come and get ’em Ilford FP4+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Turquoise and red – Shot on Fuji Velvia 50 – RVP50 (120)
Turquoise and red Fuji Velvia 50 (RVP) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: Moored – Fuji Provia 100F RPDIII (120)
Moored Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed Read the Fuji Provia 100F (RDP III) review here.
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Photography: R50/5 – Lomography Slide 200
R50/5 – 2016-05-09 Lomography Slide 200 shot at EI 200 Color reversal film in 120 format shot as 6×6
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Last of the sakura – Fuji Pro 400H (120)
Last of the sakura – 2015-05-05 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: 茶 / Chá / Tea – Kodak Portra 400 (120)
茶 / Chá / Tea – 2015-05-04 Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 This image is featured on the 52 Rolls update for week 10-13 2016!
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Photography: Besom 02 – Fuji Pro 400H (120)
Besom 02 – 2015-05-03 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x teleconverter
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Photography: Meshed up – Kodak Portra 400VC (120)
Meshed up – 2015-05-02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Blue steel – Kodak Portra 100T (120)
Blue steel Kodak Portra 100T shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Budding – Efke R25 (120)
Budding Shot on Efke R25 at EI 25 Black and white negative in 120 format shot as 6×6
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Photography: I am a wall – Kodak BW400CN (120)
I am a wall – 2016-04-25 Kodak BW400CN shot at EI 400 black and white negative in 120 format shot as 6×6
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Photography: Wavy lines – Kodak T400CN (120)
Wavy lines – 2016-04-25 Kodak T400CN shot at EI400 Black and white negative in 120 format shot as 6×6
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Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!
Recently published
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- My First Roll… With a Yashica Mat 124G
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