Category: Medium format
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Photography: Address unknown – Ilford Pan F+ (120)
Address unknown Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Late bloomer – Ilford Pan F+ (120)
Late bloomer Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Pumpkin pile – Ilford Pan F+ (120)
Pumpkin pile Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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Photography: Stagnant staircase – Ilford Pan F+ (120)
Stagnant staircase Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: Tucked away – Ilford Pan F+ (120)
Tucked away Ilford Pan F+ shot at EI 800. Black and white negative film in 120 format shot as 6×6. Push processed 4 stops.
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Photography: So long chaps! – Ilford HP5+ – 120
So long chaps! Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Photography: Red cabbage light study #02 – Kodak Ektar 100 (120)
Red cabbage light study #02 Kodak Ektar 100 shot at EI100 Color negative film in 120 format shot as 6×6 Developed as black and white Red cabbage light study #02 Kodak Ektar 100 shot at EI100. Color negative
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Photography: Oculus – Kodak T400CN (120)
Oculus Kodak T400CN shot at EI 320 Color black and white film in 120 format shot as 6×4.5
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Photography: Private sale – Shot on Fujifilm NEOPAN 100 ACROS at EI 100 (120 format)
Private sale Shot on Fujifilm NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Development notes Kodak HC-110 1+47 (E): 20°C/68°F, 07:00 (N) 1-minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5-minute rinse
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Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)
Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: 100,000 paper cranes – Kodak Vericolor III VPS 6006 (120)
100,000 paper cranes Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Splayed – Kodak Portra 400VC (120)
Splayed Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Barred skies – Kodak Portra 400 (120)
Barred skies Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Flaky – Kodak Portra 400VC (120)
Flaky Shot on Kodak Portra 400VC at EI 320. Color negative film in 120 format shot as 6×6.
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Photography: Raise the roof – Fuji NPS 160 (120)
Raise the roof Fuji NPS 160 shot at EI 100 Color negative film in 120 format shot as 6×6 Over exposed 2/3 of a stop
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Photography: Paint job – Fuji NPS 160 (120)
Paint job Shot onFuji NPS 160 at EI 100 Color negative film in 120 format shot as 6×6 Over exposed 2/3 stop
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Photography: Last light – Shot on Kodak Ektar 100 at EI 800 (120)
2016-10-05 – Last light Kodak Ektar 100 shot at EI 800 Color negative film in 120 format shot as 6×6 No push processing / under exposed 2 stops
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Photography: Turquoise butterflies – Lomochrome Turquoise XR 100-400 (120)
Turquoise butterflies Lomochrome Turquoise XR 100-400 shot at EI 50 Color negative film in 120 format shot as 6×6
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Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
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Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format shot as 6×12 Graflex Speed Graphic Kodak Aero Ektar 178/2.5 6×12 film back
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