Category: Medium format
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Photography: Chillin – Fuji Provia 100F – RDP III (120)
Chillin’ Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: 高 / Tall – Fuji Provia 400X – RXP (120)
高 / Tall Fuji Provia 400X (RXP) shot at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Done for the day – Fuji Acros 100 (120)
Done for the day Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Paused – Fuji Provia 100F – RDP III (120)
Paused Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Port’s Mouth – Fuji Acros 100 (120)
Port’s Mouth Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: The little details – Fuji Provia 100F – RDP III (120)
The little details Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Boiler room – Fuji Acros 100 (120)
Boiler room Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push
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Photography: Untitled – Kodak Ektar 100 (120)
Untitled Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Bring my family back – Ilford HP5+ (120)
Bring my family back Ilford HP5+ shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Vacated – Lomography Color Negative 400 (120)
Vacated Lomography Color Negative 400 shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Pure rot – Ilford HP5+ (120)
Pure rot Ilford HP5+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1 stop
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Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as 6×12 Kodak Aero Ektar 178/2.5
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Photography: Bench – Ilford Delta 400 Professional (120)
Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: Scarred – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Scarred Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1+1/3 stops
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Photography: Drunk – Lomochrome Turquoise XR 100-400 (120)
Drunk Lomochrome Turquoise XR 100-400 shot at EI 50 Color negative film in 120 format shot as 6×4.5
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Photography: All bunched up – Fuji Provia 100F – RDP III (120)
All bunched up Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 30mm fisheye Push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
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Photography: Malts – Fuji Acros 100 (120)
Malts Fuji Acros 100 shot at EI 400 Black and white film in 120 format shot as 6×6 Push processed two-stops
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Photography: Shoes off at the door please – Fuji Pro 400H (120)
Shoes off at the door please Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×4.5 2x Teleconverter
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Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops
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