Author: EM
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EMULSIVE interview #24: I am David Toman and this is why I shoot film
Here we are again for a sit-down with another film photographer.
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Photography: Propped – Shot on Kodak Tri-X 400 at EI 800 (120)
Propped Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Recap #4: September 2015 – decisions, decisions
Welcome one and all! That’s month four under the belt.
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Photography: Picket fence – Fuji Velvia 100 – RVP 100 (120)
Picket fence Fuji Velvia 100 (RVP100) shot at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Carved – Fuji Pro 400H (120)
Carved Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Dirty load – Shot on Fuji Pro 160NPC at EI 160 (120 format)
Dirty load Shot on Fuji Pro 160NPC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: Stake-out – Rollei Retro 400S (35mm)
Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter
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Photography: Rainy days, rainy haze – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Rainy days, rainy haze Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Glovely sentiment – Shot on Fuji Superia 100 at EI 100 (120 format)
Glovely sentiment Shot on Fuji Superia 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Luck in red and gold – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Luck in red and gold Kodak 250D (5207 65mm) shot at EI 250 Color motion picture film in 65mm format shot as 6×4.5 65mm film hand cut and bulk-loaded as 120
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Photography: Flagged – Fuji 250D 8563 (35mm)
Flagged Fuji 250D (8563) shot at EI 250 Color motion picture film in 35mm format
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EMULSIVE interview #23: I am Michael Bitaxi and this is why I shoot film
Some call him, Mr. Polypan…That’s Polypan F, the black and white cinecopy film. Others simply call him by the slightly less catchy Michael Bitaxi.
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Photography: Sunny honey bear – Fuji Superia 100 (120)
Sunny honey bear Fuji Superia 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Trading place – Fuji Neopan 400 (35mm)
Trading place Fuji Neopan 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Prettyboy – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Prettyboy Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: ….and stretch – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
…and stretch Kodak 250D (5207) shot at EI 250 Color motion picture film in 35mm format
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EMULSIVE interview #22: I am Roy Clark and this is why I shoot film
Currently based in one of my favorite parts of London (hint: US movie buffs might will recognise it as being near the main location of that Hugh Grant and Julia Roberts film), today’s interviewee, Roy Clark is a professional writer
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Photography: Fenced-in – Shot on Fuji Pro 160NS at EI 160 (120 format)
Fenced-in Shot on Fuji Pro 160NS at EI 160 Color negative film in 120 format shot as 6×4.5
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Photography: MUSTH not approach – Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
MUSTH not approach Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format