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Baby Blue Shot on Fuji 500T VIVID (8547) at EI 1000. Color tungsten balanced motion picture film in 35mm format.
Picking up from my original Provia 100F review, I'm going to talk about how we can experiment with this film and the kinds of results you can expect.In this article, we'll be talking about pushing, cross processing and
Cornered Shot on LomoChrome Purple XR 100-400 at EI 200 Color negative film in 120 format shot as 6x6
Pockmarked Shot on Maco Eagle AQS 400 (Rollei Retro 400s) at EI320 Black and white negative film in 135 format
Dry dock Shot on Fuji 64D 8552 at EI 64 Color negative motion picture film in 35mm format. There's more from this roll of Fuji 64D 8552 motion picture film at the EMULSIVE Archives.
Lotus-es Shot on Wittner Chrome 200 (Agfa RSX 200) at EI 200. Color slide film in 35mm format.
Today I've decided to give you all a look at the kind of results you can expect from Rollei's Superpan 200 black and white film in 120 format.
Photography: Two strokes – Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm format)
Two strokes Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 200 Black and white negative film in 35mm format
Welcome to the first in a new series of interviews here at EMULSIVE I think you'll find the format rather refreshing, if possibly a little strange.
Surf's out Shot on LomoChrome XPRO 200 at EI 200. Color slide film in 35mm format.
Fixed motion Shot on Rollei Superpan 200 at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed one stop. Read the full Rollei Superpan 200 review here...and don't forget the experimentation guide!
Looking for a medium speed black and white film with buckets of character and great, deep contrast at moderate box speed? Pack ILFORD FP4 PLUS.
Let there be light Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6x6 Read the Fuji Provia 100F (RDP III) review here.
Gone fisheye-ing Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6x6 30mm fisheye
SPRUNG! Shot on Kodak Tri-X 400 at EI 400 Black and white negative film in 120 format shot as 6x6 Read the Kodak Tri-X 400 review here. ...and don't forget about the Tri-X 400 push processing guide!
Guarded dog Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6x4.5 Cross processed Read the EKTACHROME 100VS review Read the...
Covering the results of experimenting with Kodak Tri-X 400, this article picks up from my original Kodak Tri-X 400 review and will show you single-stop pushes from EI 400 all the way up to EI 12800.