Author: EM

Founder, overlord, and editor-in-chief at EMULSIVE.org. I may be a benevolent gestalt entity but contrary to increasingly popular belief, I am not an AI.

Photography: Chromed Sakura – Rollei CR 200 (120)

Apr 6, 2016

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EM

in Medium format, Photography

Rollei CR 200 shot at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed + 2x teleconverter
EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film

Apr 5, 2016

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EM

in Film Photographer Interviews, Interviews

Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.
Photography: Pineapple light study #02 – Shanghai GP3 100

Apr 5, 2016

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by

EM

in Medium format, Photography

Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
Photography: Pineapple light study #01 – Shanghai GP3 100

Apr 4, 2016

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by

EM

in Medium format, Photography

Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
Photography: ABC Housing – Kodak EKTACHROME 100VS – E100VS (35mm)

Apr 1, 2016

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by

EM

in 35mm format, Photography

ABC Housing Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
Photography: Gated entry – Ilford XP2 Super

Mar 31, 2016

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EM

in Medium format, Photography

Ilford XP2 Super shot at EI 200 Black and white negative film in 120 format shot as 6×6
Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)

Mar 30, 2016

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by

EM

in 35mm format, Photography

The narrows Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film

Mar 29, 2016

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EM

in Film Photographer Interviews, Interviews

Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this
Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)

Mar 29, 2016

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by

EM

in Medium format, Photography

Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
Free download: large format camera grid overlay screen

Mar 28, 2016

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EM

in Articles

In recent years I’ve turned into more of a do-it-yourself kind of guy. From starting leatherwork a few years back, to getting knee deep other crafts, hacks and mods.
Photography: Shallotta problems – Kodak Verichrome Pan (VP 6041)

Mar 28, 2016

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EM

in Medium format, Photography

Kodak Verichrome Pan (VP120) shot at EI 100 Black and white negative film shot in 6×4.5 format Expired
Photography: Full bloom – Shot on Fuji Velvia 50 RVP50 (120 format)

Mar 25, 2016

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EM

in Medium format, Photography

Fuji Velvia 50 (RVP 50) shot at EI 50 Color reversal (slide) film in 120 format shot as 6×6 Cross processed
Camera review: the Olympus MJU-II (Olympus Stylus Epic)

Mar 24, 2016

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EM

in All Reviews, Film camera reviews, Olympus film Camera reviews

I’d been scouring eBay for an Olympus MJU-II cameras for ages.
Photography: One to go, please – Kodak EKTACHROME 100VS – E100VS (120)

Mar 24, 2016

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EM

in Medium format, Photography

One to go, please Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Expired, push processed 1-stop and cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide &nbsp
How to bulk load 120 or 220 film (using 65mm Kodak 250D 5207)

Mar 23, 2016

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EM

in Articles, Darkroom, Experiments, Guides & How-Tos

In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak’s 250D (Vision 3 5207) motion picture stock in 65mm format.
Photography: Good point, well made – Fuji Provia 100F (RDP III XPRO)

Mar 23, 2016

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by

EM

in Medium format, Photography

Good point, well made Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 Cross processed, push processed one stop Read the Fuji Provia 100F (RDP III) review here. &nbsp
Photography: Good point, well made – Fuji Provia 100F – RDP III XPRO (120 format)

Mar 23, 2016

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by

EM

in Medium format, Photography

Good point, well made Shot on Fuji Provia 100F (RDP III) at EI 200.Color reversal (slide) film in 120 format shot as 6×6.Cross processed, push processed one stop. Read the Fuji Provia 100F (RDP III) review here. Good point
Photography: At the window – Shot on Fuji Velvia 50 (RVP50)

Mar 22, 2016

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by

EM

in Medium format, Photography

Fuji Velvia 50 (RVP50) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
Photography: At the window – Shot on Fuji Velvia 50 (RVP50)

Mar 22, 2016

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by

EM

in Medium format, Photography

Fuji Velvia 50 (RVP50) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
EMULSIVE interview #65: I am Bob St. Cyr and this is why I shoot film

Mar 22, 2016

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EM

in Film Photographer Interviews, Interviews

Today I’m sitting down with native Saskatchewanian, Bob St. Cyr.