Author: EM
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EMULSIVE interview #67: I am Pierluigi Tolu and this is why I shoot film
Well then, who do we have here? I’m incredibly pleased to welcome today’s interviewee and new (re)entrant to the film photography world.
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Photography: Pineapple light study #02 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Pineapple light study #01 – Shanghai GP3 100
Shanghai GP3 100 shot at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 2 stops
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Photography: Gated entry – Ilford XP2 Super
Ilford XP2 Super shot at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: The narrows – Shot on Kodak AEROCHROME III 1443 (35mm)
The narrows Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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EMULSIVE interview #66: I am Jon Wilkening and this is why I shoot film
Grab a tall drink and make yourself comfortable. It’s time for a little look into the journey of Jon Wilkening, producer and purveyor of the strangest and most mesmerizing pinhole photography I’ve ever been lucky enough to see – this
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Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)
Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Free download: large format camera grid overlay screen
In recent years I’ve turned into more of a do-it-yourself kind of guy. From starting leatherwork a few years back, to getting knee deep other crafts, hacks and mods.
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Photography: Shallotta problems – Kodak Verichrome Pan (VP 6041)
Kodak Verichrome Pan (VP120) shot at EI 100 Black and white negative film shot in 6×4.5 format Expired
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Camera review: the Olympus MJU-II (Olympus Stylus Epic)
I’d been scouring eBay for an Olympus MJU-II cameras for ages.
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How to bulk load 120 or 220 film (using 65mm Kodak 250D 5207)
In June 2015 I was lucky enough to source a fresh 300ft short-end of Kodak’s 250D (Vision 3 5207) motion picture stock in 65mm format.