Author: EM
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Photography: Port’s Mouth – Fuji Acros 100 (120)
Port’s Mouth Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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FP4 Party December 2016 – winner announcement
It’s with both joy and sadness that we announce the winner of December 2016’s #FP4 Party. We said that judging November was tough.
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Photography: The little details – Fuji Provia 100F – RDP III (120)
The little details Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Boiler room – Fuji Acros 100 (120)
Boiler room Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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EMULSIVE interview #121: I am Rhianne Hart and this is why I shoot film
Anyone who’s been paying attention to the heart of the film photography community over on Twitter should have heard of today’s interviewee by now.
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Photography: Hitachi 1969 – Lomography Purple XR 100-400 (35mm)
Hitachi 1969 Lomography Lomochrome Purple XR 100-400 shot at EI 200 Color negative film in 35mm format
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Photography: Take the stairs – Fuji Neopan 400 (35mm)
Take the stairs Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format
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FP4 Party: Best of December 2016
Welcome to the best of #FP4Party December 2016! This (near) penultimate update for #FP4Party 2016 brings with it a slight melancholy. All good things must some to en end, albeit temporarily in this case.
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Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push
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Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format
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Photography: Slow day – Ilford Delta 100 Professional (35mm)
Slow day Ilford Delta 100 Professional shot at EI 800 Black and white negative film in 35mm format Push processed 3 stops
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EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
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Photography: Stone, rubber and steel – Macophot Ortho 25 – (35mm)
Stone, rubber and steel Macophot Ortho 25 shot at EI 25 Black and white negative film in 35mm format
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Photography: Straight up – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Straight up Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Generational distractions – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Thermoplastic – Agfa Vista Plus 200 (35mm)
Thermoplastic Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: Tricolore #01 – Shot on Macophot Ortho 25 at EI 25 (35mm format)
Tricolore #01 Shot on Macophot Ortho 25 at EI 25 Black and white negative film in 35mm format