Category: 5 Frames…
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5 Frames… Of ILFORD SFX 200 Developed in Cinestill’s Df96 monobath with a Fuji GS645S and a red filter
The Fuji GS645S Professional was a camera I had an interest in ever since it was introduced back in 1984. It was a nice medium format camera that’s ready for anything with its “cow bar” that wrapped around the lens. The camera has a fixed 60mm f/4 lens with rangefinder focusing. Holding the camera normally,…
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5 Frames… On a Finetta IV D and Kodak Gold 200 (35mm Format / EI 200 / Anastigmat Finetar 1 5/8″ f/4)
I came across the Finetta the same way I have acquired hundreds of other cameras, in a box with another camera that I was interested in. This box had a lot of odd photographic detritus, unused flashbulbs, filters that do not fit anything, the Voigtlander I bought it all for…and the Finetta. I was surprised…
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5 Frames… Around Hamilton on Kodak Portra 400 (35mm Format / EI 200 / Nikon FM2n)
Just before COVID-19 hit Australasia, I was a student starting a 3-month overseas internship in Hamilton, New Zealand. Being 8,500 km away from home, I had dragged along most of my photography gear along with me, 7 rolls of film included. What I didn’t realize then was that those 3 months would be reduced to…
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5 Frames… With a new-to-me Seagull 4A-109 TLR (Kodak Portra 400 / 120 Format / EI 400)
Using a new-to-you camera is always a challenge; this was a specific challenge for me since I had never held a Twin Lens Reflex camera before this one. And, in terms of Seagull TLR’s, this Seagull 4A-109 with its SA-99 75mm f/3.5 lens is also rare. My biggest challenge wasn’t using the TLR itself, it…
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5 Frames… Of portraits on Fujifilm Superia X-TRA 400 (35mm Format / EI 400 / Canon EOS 50E + Canon EF 50mm f/1.4)
First things first, I have to confess that I am 80% a digital shooter. It’s more convenient because I work mostly with models, and therefore, attention to detail is important, so I like to occasionally be able to check the results on the LCD screen. Recently, I did some cleaning up in my studio and…
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5 Frames… From my first roll of slide film and a Minolta CLE + Minolta Rokkor-M 40mm f/2 (Kodak EKTACHROME 100 / 35mm Format / El 100)
These 5 frames are my first try at shooting a slide film. About 5 months ago I decided to start my journey into the film photography. And it was a love from the first touch I would say. The whole process from unpacking the film and putting it into the camera, to cocking the shutter,…
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5 Frames… And a bit of luck with a Mamiya 645 PRo and Kodak Portra 400 (120 Format / EI 400 / Mamiya Sekor C 80mm f/2.8)
I wouldn’t say I’m a completely skeptical person. Superstition isn’t really my thing too. But when it comes to giveaways and raffles, sometimes I like to play the odds. With my Mamiya 645 Pro, that was the case. I saw a raffle online with three prizes and a few numbers at a reasonable price. The…
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5 Frames… Of ILFORD Delta 400 Professional (120 Format / EI 400 / Yashica Mat-124G)
There was a time in my life when I shot nothing but film, never professionally but only for my pleasure. My weapons of choice were Nikon F3 for 35mm, a Yashica Mat-124G for 120 film and a Graflex Press 4-¼ x 3-¼ sheet film cameras. Then, came the digital age and like almost everyone else,…
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5 Frames… Of Polaroid 600 + SX-70 film on a Mamiya RB67 and a Rezivot Instant Film back
My Mamiya RB67 and I go back a long way, beside a dumpster at a Tim Horton’s (a donut and coffee shop for those of you not from Canada) where I bought her off of a guy who was selling cameras he picked up from studios that had gone bankrupt. She was heavily used and…
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5 Frames… With Lomography CN 400 on an uncoated lens (35mm Format / Leica M6 + Voigtländer 35mm f/1.4 Nokton Classic SC)
When it comes to print film we all have our favorites, be it for aesthetics, latitude, how they handle some (intentional) abuse (over/underexposure, pushing, pulling), e.t.c. And I have narrowed down my list to Kodak Ektar 100, Kodak Ultramax 400 and CineStill 800T as, from my own experience and preferences this specific trio covers all…
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5 Frames… Of Kodak Ektar on a Horseman VH + Nikon Nikkor 210mm f/5.6 (120 format / EI 100)
Like many, I started taking pictures using my father’s old camera, a hefty Nikon F2 and a super-fast Nikkor 55mm f/1.2 back in the late 90’s. And again like many — drawn by the instant gratification of seeing the results right away -– soon I switched to a digital camera (Leica Digilux 1). While stunned…
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5 Frames… Of island life on Kodak Gold 200 (35mm Format / EI 200 / Leica M4-2)
Photographic film prices have been on a steady climb in Canada for the last few years. Not a reasonable climb, either. Some of my go-to emulsions have gone up as much as 30-40% at local retailers in the last year alone. It’s now cheaper to purchase colour film from the US and ship it up…
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5 Frames… Along London’s Regents Canal and West End on Svema Color 125 (35mm Format / EI 125 / Canon EOS 300 + Canon EF 28-80 f/3.5-5.6)
Having been sucked into digital in the early naughties and bled dry by four-figure kit purchases it was time hail out the modest EOS 300 I had in my 20’s and see what further damage I could do to my bank account now all these wonderful and obscure emulsions have appeared on the market. Leaping…
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5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional)
5 Frames… Of West End Brisbane on Fuji Pro 400H (EI 200 / 120 Format / Fujica GS645 Professional) – by Zhan Teh West End, Brisbane is a quirky little inner-city suburb with a strong history and culture if you care to look. Here you can always count on seeing a plethora of characters every…
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5 Frames… Of trichromes with ILFORD FP4 PLUS (35mm Format / EI 125 / Canon EOS 1n + Canon EF 24mm f/2.8)
When my local Max Spielmann closed for lockdown, I lost my go-to for colour film processing. I couldn’t face going cold turkey, and haven’t got the sous-vide needed for colour processing at home. I can process black and white film though. So I started making trichromes. A trichome is a colour photograph made from three…
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5 Frames… With Lomography Potsdam Kino 100 on a Mamiya 645 AFD (120 Format / EI 100)
I have been wanting to try this film for a while now, ever since it was announced. I loved the look, the tones, the grain, just everything about the film. Well, I finally bought a roll, loaded it up in my Mamiya 645 AFD with my 150mm f/3.5 AF (because I need to use this…
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5 Frames… Of my first time trying Kodak EKTACHROME E100 on a Yashica Mat-124G
From the start of my “film shooters career” I was shooting either negative color film or BW negative film. My favorite emulsions were and still are Kodak Portra 400 for color and Kodak Tri-X 400 for BW shots. It’s staple, one of the most forgiving and beautiful films for my taste. Slide film on the…
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5 frames… With 11-year expired Era Pan 100 on a Richard Ritter 7×17 ULF View Camera
Many lifetimes ago but mainly before family, I did a lot of film photography. I had a small darkroom, shot 35mm, medium format, large format and even ultra large format film. Lith printing was the most fun. I didn’t do it professionally, I did it to escape. Stuck in front of screens all day as…
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5 Frames… With ILFORD HP5 PLUS (35mm Format / El 800 / Canon FTb QL + Canon FD 50mm f/1.8)
2020 has been a tough year. The shutdown brought on by Covid-19 put a damper on a lot of things we all love, most importantly, street photography. On a personal level, my fiancé and I were forced to make the impossible decision to postpone our wedding in early July. However, as time went on new…
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5 Frames… With my late grandmother’s Kodak Jiffy Six-20 Series II, and my first ever roll of 120 (620) film
As if the year 2020 couldn’t get any worse for all of us; It was also the year in which I lost my grandfather. He passed in early June of, preceded by my grandmother in 2015. The day after my wife and I flew to Indiana for the funeral I was sitting in my mother’s…