Slide Film - Color Reversal


Overprotected Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Nikon F6 + Nikkor 85mm f/1.8 AF-D

Photography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100Color reversal (slide) film in 35mm formatNikon F6 + Nikkor 85mm f/1.8 AF-D Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation …

Read morePhotography: Overprotected – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)

Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.

Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)

Paddy Whacker

Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter

Read the Kodak AEROCHROME review

 

 

 

 

 

Lookout - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6.

Photography: Lookout – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

Lookout

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

 

Candlesticks - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Candlesticks – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)

Candlesticks

Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 120 format shot as 6×6

Read the Fuji Provia 100F (RDP III) review here.

 

 

 

 

 

Don't fret - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6.

Photography: Don’t fret – Kodak EKTACHROME 100VS – E100VS (120)

Don’t fret

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

 

Ant bridge - Shot on Kodak EKTACHROME 100VS at EI 200. Color reversal (slide) film in 120 format shot as 6x6. Push processed 1-stop, cross processed.

Photography: Ant bridge – Shot on Kodak EKTACHROME 100VS at EI 200 (120 Format)

Ant bridge

Shot on Kodak EKTACHROME 100VS at EI 200.
Color reversal (slide) film in 120 format shot as 6×6.
Push processed 1-stop, cross processed.

 

 

 

 

 

Buoy oh buoy! - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Buoy oh buoy! – Fuji Provia 100F – RDP III (120)

Buoy oh buoy!

Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 120 format shot as 6×6

Read the Fuji Provia 100F (RDP III) review here.

 

 

 

 

Shoreline - Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6x6.

Photography: Shoreline – Shot on Kodak EKTACHROME Professional Plus 100 – 6005 at EI 100 (120 format)

Shoreline

Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.

 

 

 

 

 

50/50 - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film shot as 6x6.

Photography: 50/50 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

50/50

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

Spring buds #02 - Shot on Fuji Provia 400X (RXP) at EI 800. Color reversal (slide) film in 120 format shot as 6x6. Hasselblad 32E. 1-stop push.

Photography: Spring buds #02 – Fuji Provia 400X – RXP (120)

Spring buds #02
Shot on Fuji Provia 400X (RXP) at EI 800
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 32E
1-stop push

 

 

 

Purrrple - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 200. Color reversal (slide) film shot as 6x6. Hasselblad 32E. Push processed 1-stop.

Photography: Purrrple – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

Purrrple

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

 

 

Veins - Shot on Fuji Provia 400X (RXP) at EI 400. Color reversal (slide) film in 120 format shot as 6x6. Hasselblad 32E.jpg

Photography: Veins #01 – Fuji Provia 400X – RXP (120)

Veins #01

Shot on Fuji Provia 400X (RXP) at EI 800
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 32E
1-stop push

 

 

 

Spring buds 01 - Shot on Kodak EKTACHROME 100VS at EI 800. Color reversal (slide) film shot as 6x6. Hasselblad 32E. Push processed 1-stop.

Photography: Spring buds #01 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)

Spring buds #01

Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop

Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide

 

 

 

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