• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Pull Processing

Tag: Pull Processing

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2
Posted in35mm format

Photography: Twins – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Avatar - EMby EMApril 25, 2018July 31, 2021

Twins

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2
Posted in35mm format, Photography

Photography: Condensed – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Avatar - EMby EMApril 23, 2018July 31, 2021

Condensed

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

Kodak T-MAX 3200 (EI 800 - N-2) 7artisans 35mm f/2
Posted in35mm format, Photography

Photography: Royalty – Shot on Kodak T-MAX 3200 at EI 800 (35mm format)

Avatar - EMby EMApril 20, 2018July 31, 2021

Royalty

Shot on Kodak T-MAX 3200 (TMZ) at EI 800
Black and white negative film in 35mm format
Pull processed 2 stops
Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review)

 

Development notes
Kodak HC-110 (B

  • Latest
  • Popular
Latest
Popular

New to film photography? Read this:

Related reading

Sunset: under construction / Fuji Velvia 100 (RVP) / ISO200 / 120 / 6x6 / 1-stop push process.
Photography: Sunset: under construction – Fuji Velvia 100 RVP100 (120)
By the sack - Fuji Pro 400H shot at EI 200. Color negative film in 35mm format. Over exposed by one stop.
Photography: By the sack – Fuji Pro 400H (35mm)
I hope this guy's day was as nice as mine - expired Superia 400
EMULSIVE interview #72: I am Jeff Hao and this is why I shoot film
Nightcall - Fuji Velvia
Featured project: Dee Elegia’s Nightcall
Whiter than white - Ilford HP5+ shot at EI 1000. Black and white negative film in 120 format shot as 6x4.5.
Photography: Whiter than white – Ilford HP5+ (120)
Propped - Kodak Tri-X 400 shot at ISO800
Photography: Propped – Shot on Kodak Tri-X 400 at EI 800 (120)
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • Beacons Through Time: East Coast US lighthouses captured on solargraphs
  • 5 Frames… Of tradition on a Kodak Pro Image 100 (35mm Format / EI 100 / Nikon F4 + Nikkor 24mm f/2.8 AF) – By Abel M
  • 5 Frames… Of a Rhode Island Spring on Cinestill 400D (35mm Format / EI 800 / Nikon F4 + Nikon Nikkor 50mm f/1.8 AI-S) – by J Balcourt
  1. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
  2. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
  3. Michael Przewrocki on An early swansong? Reviewing the CONTAX AX: autofocusing manual lensesSeptember 21, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.