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Home » Leica M4-2

Tag: Leica M4-2

5 Frames... Of island life on Kodak Gold 200 (35mm Format / EI 200 / Leica M4-2) - by Ryan HK
Posted in5 Frames..., Articles

5 Frames… Of island life on Kodak Gold 200 (35mm Format / EI 200 / Leica M4-2)

by Ryan HKOctober 12, 2020July 31, 2021

Photographic film prices have been on a steady climb in Canada for the last few years. Not a reasonable climb, either. Some of my go-to emulsions have gone up as much as 30-40% at local retailers in the last year alone. It’s now cheaper to purchase colour film from the US and ship it up […]

My Leica M4-2 - Ryan HK
Posted in5 Frames..., Articles

5 Frames… Of black and white Fuji 8573/500T in Rodinal with a Leica M4-2

by Ryan HKJuly 15, 2020July 31, 2021

I had a 400ft reel of expired 8572 kicking around the boat, and decided to load 100ft into cassettes to start shooting. I’ve heard horrendous stories of expired Fuji cine films just not holding up like their Kodak Vision counterparts… But, I got a great deal on this reel and figured it was worth testing […]

My Leica M4-2 - by Ryan HK
Posted in5 Frames..., Articles

5 Frames… With ILFORD HP5 PLUS pulled 3-stops (EI 50 / 35mm format / Leica M4-2)

by Ryan HKJuly 7, 2020July 31, 2021

My “go-to” B&W film in all formats that I shoot these days seems to be ILFORD HP5 PLUS. I actually didn’t really enjoy it all that much when I started shooting film. I was a Pan F 50 kinda shooter, then I discovered Fuji’s NEOPAN 100 ACROS and when that disappeared I went to Delta […]

Leica M4-2 and Voigtlander 50mm f/1.2 - Ryan HK
Posted in5 Frames..., Articles

5 Frames… With Kodak VISION 500T 5279 (EI 400 / 35mm format / Leica M4-2)

by Ryan HKJanuary 30, 2020July 31, 2021

I’ve shot all sorts of colour film… Actually, I quite enjoy shooting colour – but I loathe the costs usually associated with it unless you’re shooting Fujicolor C200, Kodak Gold 200, or other little consumer emulsions (which I have to say, I love Gold 200). I had yet to jump into the “cinema emulsions” realm. […]

Cover - Why did it take me so long to starts shooting Kodak Tri-X
Posted inArticles

Why did it take me so long to start shooting Kodak Tri-X?

by Simon KingApril 17, 2019July 31, 2021

There are a few reasons it’s taken me so long to become comfortable with shooting Tri-X, and I thought it might be useful to share these, both so that I can understand my process more coherently (as with most

Leica M4-2, ILFORD HP5+, Albuquerque, NM
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #155: I am Dan Dao and this is why I shoot film

Avatar - EMby EMSeptember 27, 2017October 16, 2020

Today’s interviewee has been posting video reviews product, guides, manuals for film cameras, information on film stocks and all things analogue on Youtube since 2011 and shows no signs of slowing down any time soon.

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Framed - Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 TTL + Voigtlander 21mm f/4.
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Dear Benice 5: Monkey see, monkey don't
Dear Benice 5: Monkey see, monkey don’t
Maintenance required - Kodak ULTRAMAX 400 shot at EI 1600. Color negative film in 35mm format. Push processed two stops.
Photography: Maintenance required – Kodak ULTRAMAX 400 (35mm)
Almost there - Shot on Kodak Black and white print film 2302 at EI 6. Black and white negative film in 35mm format.
Photography: Almost there – Shot on Kodak BW print film 2302 (35mm)
No smoking - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format. Over processed one stop.
Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
Calm - Kodak Portra 400 shot at ISO400
Photography: Calm – Kodak Portra 400 (120)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

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  1. Gospodi on Compact camera mega test: Olympus MJU Zooms, all of themDecember 1, 2023
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