Tag: Kodak
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Photography: Blue crate – Kodak Portra 400 (120)
Blue Crate Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format shot as 6×6 1-stop under exposed, no push processing
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Photography: The mighty mini – Kodak T-MAX100 (120)
The mighty mini Kodak T-MAX100 shot at ISO100 Black and white negative film in 120 format shot as 6×6
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Photography: Cirrius – Shot on Kodak T-MAX 100 TMX (120 format)
Cirrius Shot on Kodak T-MAX100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Gnarly – Shot on Kodak ULTRA-MAX 400 at EI 400 (35mm format)
Gnarly Kodak ULTRA-MAX 400 shot at EI 400 Color negative film in 35mm format
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EMULSIVE interview #18: I am Joseph Gamble and this is why I shoot film
Have you ever seen an image that stopped you dead in your tracks? It last happened to me about a year ago, maybe more, maybe less. I was browsing an online gallery of desktop wallpapers, looking for something a little
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Photography: Young at heart – Kodak Ektar 100 (120)
Young at heart Kodak Ektar 100 shot at EI 100 Color negative film in 120 format
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Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
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Photography: Going going gone – Shot on Kodak Pro Image 100 at EI 100 (35mm format)
Going going gone Kodak Pro Image 100 shot at EI 100 Color negative film in 35mm format
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Photography: Curly – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Curly Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Umbrella – Shot on Kodak 500T 5219 at EI 500 (35mm)
Umbrella Shot at Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format
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EMULSIVE interview #16: I am Tim Dobbs and this is why I shoot film
One must keep on one’s toes when talking with the Welsh.
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Photography: Evanesce – Shot on Kodak Ektar 100 at EI 100 (120 format)
Evanesce Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×4.5
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Photography: High strung – Shot at Kodak Ektar 100 shot at EI 100 (120 format)
High strung Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×4.5
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Photography: Nurture nature – Kodak Ultramax 400 (35mm)
Nurture nature Kodak ULTRAMAX 400 shot at EI 400 Color negative film in 35mm format
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Photography: Life’s a beach – Shot on Kodak T-MAX 100 at EI 100 (35mm format)
Life’s a beach Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 35mm format
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Photography: Life’s a beach – Shot on Kodak T-MAX 100 at EI 100 (35mm format)
Life’s a beach Shot on Kodak T-MAX 100 at EI 100 Black and white negative film in 35mm format
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Photography: Naptime – Shot on Kodak PPN 160 at EI 100 (120 format)
Naptime – Shot on Kodak PPN 160 at EI 100 (120 format) Shot on expired Kodak PPN 160 at EI 100. Color negative film in 120 format film.
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Photography: Sepia shade – Kodak ULTRAMAX 400 (35mm)
Sepia shade Kodak ULTRAMAX 400 shot at ISO400 Color negative film in 35mm format
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EMULSIVE interview #15: I am Andrew MacGregor and this is why I shoot film
“Shooting film and riding steel framed bikes; the life I wanted but never knew existed”.
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Photography: Stacked – Shot on Kodak Portra 400 at EI 400 (120 format)
Stacked Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6