Kodak Vericolor III 160 (VPS 6006)


My Mamiya RB67 Pro-S

5 Frames… in Nuremberg on Kodak Vericolor III (120 Format / EI 50 / Mamiya RB67 Pro-S) – by Christopher Gombocz

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When it comes to expired film you‘ll never know exactly, if your shots turn out or not. From harsh grain to weird color shifts, anything …

Read more5 Frames… in Nuremberg on Kodak Vericolor III (120 Format / EI 50 / Mamiya RB67 Pro-S) – by Christopher Gombocz

The staircase - Kodak Vericolor III VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)

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The staircase
Shot on Kodak Vericolor III VPS 6006 at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back

 

 

 

Zion #01 - Kodak Vericolor 160 VPS 6006 shot at EI 100. Color negative film in 120 format shot as 6x12. Graflex Speed Graphic. Kodak Aero Ektar 178/2.5. 6x12 film back.

Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)

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Zion NPS #01
Shot on Kodak Vericolor III (VPS 6006) shot at EI 100
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back