Tag: Kodak Porta 400
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Packing light for the Congo: Two countries, one river, eight film stocks
My travel assignments require me to create strong imagery that can be quickly and seamlessly integrated into a digital workflow, which is why my primary work camera is almost always a digital body. While I love the consistently excellent results that I have been able to get with digital cameras, I have missed the beautiful…
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5 Frames… In the Great Kiva with Kodak Portra 400 (EI 400 / 120 format / Reality So Subtle 6X6F)
The Great Kiva was reconstructed in 1934 by Hopi and Puebloan workers. This site was part of the extended Chaco Canyon regional cluster of settlements and is part of the Chaco Culture National Historic Park. The Aztec Ruins* became a National Monument in 1923, was added to the National Register of Historic Places in 1966,…
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5 Frames… With Kodak Portra 400 (EI 400 / 35mm format / Minolta XG-M)
After shooting strictly with a point and shoot camera, I was gifted a Minolta XG-M and Minolta MD Rokkor 50mm f/1.7 kit by a friend. I found myself reaching for film instead of digital for my personal work more and more after that. Digital was beginning to bore me, editing had began to feel cumbersome,…
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5 Frames… Of Kodak Portra 400 double exposures (EI 400 / 35mm format / Nikon FM)
For this roll of Kodak Portra, I set out to shoot a series of self-portraits featuring flowers and foliage with my new (to me) Nikon FM and a Nikon Nikkor 50mm f/1.8 lens.
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EMULSIVE interview 180: I am Anil Mistry and this is why I shoot film
It’s Anil Mistry, everyone. To regular readers or EMULSIVE and listeners of the Sunny16 Podcast, that name should at the very least ring a few bells.