Kodak EKTACHROME 100GP (E100GP) archives on EMULSIVE

Cover - A brief history of Kodak EKTACHROME

A brief history of… Kodak EKTACHROME film

June 3, 2020October 23, 2018 by Cheyenne Morrison

Just as they managed to resurrect dinosaurs with DNA in Jurassic Park, Eastman Kodak and Kodak Alaris have pulled off the magical feat of resurrecting Kodak EKTACHROME film;

Death Valley Approach #03 - Shot on Kodak EKTACHROME 100GP (E100GP) at EI 100. Color reversal (slide) film in 120 format shot as 6×12. Cross processed.

Photography: Death Valley Approach #03 – Shot on Kodak EKTACHROME 100GP (120)

October 16, 2020October 12, 2017 by EM

Death Valley Approach #03
Shot on Kodak EKTACHROME 100GP (E100GP) at EI 100.
Color reversal (slide) film in 120 format shot as 6×12.
Cross processed.

Madison Falls, Yellowstone National Park - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x12. Shot with #21 orange filter.

EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film

October 16, 2020March 22, 2017 by EM

Welcome to this week’s EMULSIVE interview!

Today’s interviewee is someone a few of you may have heard of and to be frank, it’s been a bit of headache to put together.

Seen better days - Kodak EKTACHROME E100GP shot at EI 100. Color reversal (slide) film in 120 format shot as 6x6. Expired and cross processed.

Photography: Seen better days – Kodak EKTACHROME E100GP (120)

October 16, 2020September 15, 2016 by EM

2016-09-15 – Seen better days
Kodak EKTACHROME E100GP shot at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Expired and cross processed

Sky high - Kodak E100GP shot at ISO100. Color reversal (slide) film in 120 format shot at 6x6.

Photography: Sky high – Kodak E100GP

October 16, 2020February 10, 2016 by EM

Kodak E100GP shot at ISO100
Color reversal (slide) film in 120 format shot at 6×6