Tag: ISO 800
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Photography: Elbow grease – Kodak T-MAX 100 (120)
2016-05-19 – Elbow grease Kodak T-MAX 100 shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Out for a stroll – shot on ILFORD FP4 PLUS at EI 800 (120 format)
Out for a stroll Shot on ILFORD FP4 PLUS at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Have it your way – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Have it your way Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the
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Photography: Exit-Entrance – Kodak Portra 400
Kodak Portra 400 shot at ISO800 Color negative film in 120 format shot as 6×6 Push processed two stops
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Photography: I never liked you… – Fuji Natura 1600
Fuji Natura 1600 shot as ISO800 Color negative film in 35mm format
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Photography: Nuts to it all – Rollei RPX400
Rollei RPX400 shot at ISO800 Black and white negative film in 120 format shot as 6×6 Push processed one stop
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Photography: Two-tone – Shot on Fuji NEOPAN 400 at EI 200 (35mm format)
Two-tone Shot on Fuji Neopan 400 at EI 200Black and white negative in 35mm formatOver expose one stop and push processed two stops. Two-toneFuji Neopan 400 shot at EI 200. Black and white negative in 35mm format.
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Photography: Slipway – Shot on ILFORD FP4 PLUS at EI 800 (120)
Slipway ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 120 format as 6×6 Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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Photography: Mirror mirror – Shot on Kodak TMAX 100 at EI 800 (120 format)
Mirror mirror Shot on Kodak TMAX 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Spitfire – Shanghai GP3 100 (120)
Spitfire Shanghai GP3 100 shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed three stops
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Photography: Propped – Shot on Kodak Tri-X 400 at EI 800 (120)
Propped Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: Trading place – Fuji Neopan 400 (35mm)
Trading place Fuji Neopan 400 shot at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Prettyboy – Shot on Kodak Tri-X 400 at EI 800 (35mm)
Prettyboy Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing guide!  
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Photography: Interlocked – Shot on Kodak Tri-X 400 at EI 800 (35mm format)
Interlocked Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format
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Photography: Pocked – Kodak 800 MAX (35mm)
Pocked Kodak 800 MAX shot at EI 800 Color negative film in 35mm format
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Photography: Blue crate – Kodak Portra 400 (120)
Blue Crate Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format shot as 6×6 1-stop under exposed, no push processing
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Photography: Spokes – Kodak Tri-X 400 (120)
Spokes Kodak Tri-X 400 shot at ISO800 Black and white negative film in 120 format
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Photography: Monochrome fade – Shot on Kodak Portra 400 at EI 800 (120 format)
Monochrome fade Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format Push processed 1 stop
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Photography: Lock-xidized – Shot on Fuji Press 800 at EI 800 (35mm format)
Lock-xidized Shot on Fuji Press 800 at EI 800Color negative film in 35mm format Lock-xidizedShot on Fuji Press 800 at EI800.
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Photography: Low EQ – Shot on Shanghai GP3 100 at EI 800 (120 format)
Low EQ Shot on Shanghai GP3 100 at EI 800 Back and white negative film in 120 format shot as 6×6 Push processed two stops