Tag: ISO 400
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Photography: Vinylism – Lomochrome Purple XR 100-400 (35mm)
Vinylism Lomochrome Purple XR 100-400 shot at ISO400 Color negative film in 35mm format
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Photography: Blue crate – Kodak Portra 400 (120)
Blue Crate Shot on Kodak Portra 400 at EI 800 Color negative film in 120 format shot as 6×6 1-stop under exposed, no push processing
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Photography: Phoenix rising – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Phoenix rising Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Spinning around – Rollei Infrared 400 (120)
Spinning around Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Deep-rooted – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
Deep-rooted Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×6 Push processed 1+1/3 stop Read the full ILFORD HP5 PLUS review here.
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Photography: Hexagonal columns – Kodak AEROCHROME III 1443 (120)
Hexagonal columns Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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Photography: Gnarly – Shot on Kodak ULTRA-MAX 400 at EI 400 (35mm format)
Gnarly Kodak ULTRA-MAX 400 shot at EI 400 Color negative film in 35mm format
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Photography: Whiter than white – Ilford HP5+ (120)
Whiter than white Ilford HP5+ shot at EI 1000 Black and white negative film in 120 format shot as 6×4.5 Push processed 1.5 stops
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Photography: Mesh-ing around – Shot on Kodak Tri-X 400 at EI 12800 (120)
Mesh-ing around Shot on Kodak Tri-X 400 at EI 12800 Black and white negative film in 120 format shot as 6×4.5 Push processed five stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push
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Photography: Hydrant – Shot on Rollei Infrared 400 at EI 400 (120 format)
Hydrant Rollei Infrared 400 shot at EI 400 Black and white infrared sensitive film in 120 format shot as 6×6
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Photography: Seduced by Babylon – Lomochrome Purple XR 100-400 (120)
Seduced by Babylon Lomochrome Purple XR 100-400 in 120 format Color negative film in 120 format shot as 6×6
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Photography: Out to dry – Shot on Lomography Lomochrome Purple XR100-400 at EI 400 (120 format)
Out to dry Shot on Lomography Lomochrome Purple XR100-400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Blossom blaze – Shot on Kodak AEROCHROME III 1443 at EI 200 (120 format)
Blossom blaze Shot on Kodak AEROCHROME III Infrared Film 1443 at EI 200 Color infrared aerial surveillance film in 120 format shot as 6×6 Overexposed one stop with #21 orange filter Read the Kodak AEROCHROME III 1443 review here.  
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Photography: Nurture nature – Kodak Ultramax 400 (35mm)
Nurture nature Kodak ULTRAMAX 400 shot at EI 400 Color negative film in 35mm format
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Photography: Cable cars – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (120 format)
Cable cars Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 120 format shot as 6×12
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Photography: Sepia shade – Kodak ULTRAMAX 400 (35mm)
Sepia shade Kodak ULTRAMAX 400 shot at ISO400 Color negative film in 35mm format
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Photography: Saddle up! – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm)
Saddle up! Shot on Fuji Superia X-TRA 400 at EI 400. Color negative film in 35mm format film.
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Photography: Stacked – Shot on Kodak Portra 400 at EI 400 (120 format)
Stacked Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Stop, look up – Shot on Kodak ULTRAMAX 400 at EI 400 (35mm)
Stop, look up Shot on Kodak ULTRAMAX 400 at EI 400 Color negative filmin 35mm format
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Photography: Fading light – Shot on Fuji Superia X-TRA 400 at EI 400 (35mm format)
Fading light Shot on Fuji Superia X-TRA 400 at EI400 Color negative film in 35mm format