Tag: Hasselblad Planar F 80mm f/2.8
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6×6 Push processed seven stops
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Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5 stops. Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6
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Photography: Chop chop – Shot on Kodak Ektar 100 at EI 800 (120 format)
Chop chop Shot on Kodak Ektar 100 at EI 800 Color negative film in 120 format shot as 6×6 Push processed three stops
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Photography: Threading the needle – Shot on Shanghai GP3 100 at EI 100 (120 format)
Threading the needle Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast Shot on ILFORD XP2 Super at EI 320 Black and white negative film in 120 format shot as 6×6 Orange #21 filter
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Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×45 Push processed three stops Read the full ILFORD HP5 PLUS review here.
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Photography: Off at the door – Shot on Silberra ULTIMA 200 (120 format)
Off at the door Shot on Silberra ULTIMA 200 at EI 200 Black and white negative film in 120 format shot as 6×6
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Photography: Granatum – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Granatum Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Cross processed Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Blue green dream – Shot on Kodak Portra 160VC at EI 160 (120 format)
Blue green dream Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: 40 percent pebbles by volume – Shot on Kodak Portra 160VC at EI 160 (120 format)
40 percent pebbles by volume Shot on Kodak Portra 160VC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: Red and green should never be seen – Shot on Lomography F²/400 at EI 400 (35mm format)
Red and green should never be seen Shot on Lomography F²/400 at EI 400 Color negative film in 35mm format
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Photography: Red yellow green grey – Shot on Lomography Color Negative 100 at EI 100 (120 format)
Red yellow green grey Shot on Lomography Color Negative 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Patience pays – Shot on Shanghai GP3 100 at EI 800 (120 format)
Patience pays Shot on Shanghai GP3 100 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 3 stops