film.photography
Light pollution
Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop
Flow
Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops
Lov is the answer
Shot on Kodak Portra 400VC at EI 200
Color negative film in 120 format shot as 6×6
Claw
ILFORD HP5 PLUS shot at EI 12800
Black and white negative film in 120 format shot as 6×6
Push processed 5 stops.
Development notes:
Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5)
No presoak, 1-minute initial agitation, 5 inversions/minute
Waiting time
Shot on Kodak Tri-X 400 at EI 800
Black and white negative film in 120 format shot as 6×6
Chop chop
Shot on Kodak Ektar 100 at EI 800
Color negative film in 120 format shot as 6×6
Push processed three stops
Threading the needle
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6×6
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6×6
Orange #21 filter
Three
Shot on Fuji Provia 100F RDPIII at EI 100
Color reversal (slide) film in 120 format shot as 6×6
View no more
Shot on ILFORD HP5 PLUS at EI 1000
Black and white negative film in 120 format shot as 6×45
Push processed three stops
Read the full ILFORD HP5 PLUS review here.
Shorn
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Full bloom
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Read the Kodak AEROCHROME review
Off at the door
Shot on Silberra ULTIMA 200 at EI 200
Black and white negative film in 120 format shot as 6×6
Granatum
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Cross processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Blue green dream
Shot on Kodak Portra 160VC at EI 160
Color negative film in 120 format shot as 6×6
40 percent pebbles by volume
Shot on Kodak Portra 160VC at EI 160
Color negative film in 120 format shot as 6×6
Red and green should never be seen
Shot on Lomography F²/400 at EI 400
Color negative film in 35mm format
Red yellow green grey
Shot on Lomography Color Negative 100 at EI 100
Color negative film in 120 format shot as 6×6
Patience pays
Shot on Shanghai GP3 100 at EI 800
Black and white negative film in 120 format shot as 6×6
Push processed 3 stops
For one
Shot on Fuji Provia 400X (RXP400) at EI 400
Color reversal (slide) film in 120 format shot as 6×6
