Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
Tag: Hasselblad Planar F 80mm f/2.8
Posted inMedium format
Photography: Front and back – Shot on Fujifilm NEOPAN 100 ACROS II at EI 100 (120 Format)
Shot on Fuji NEOPAN 100 ACROS II at EI 100 (read the ACROS vs ACROS II comparison here)Black and white negative film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+31 (B): 20°C/68°F, 04:45 (N)1 minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, […]
Posted inFujifilm Film Stock Reviews
Comparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What’s the difference?
Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II earlier this year. So, when a second announcement came with details of a November 22nd Japanese release date, I started making calls to see if I could buy some. I got lucky and […]
Posted inMedium format
Photography: And then there was one – Shot on Kodak Portra 160 at EI 160 (120 format)
And then there was one Shot on Kodak Portra 160 at EI 160Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Posted inPhotography
Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 10:15 (N+2/3) 1-minute presoak, 60 seconds initial agitation, 5 inversions / 60 seconds, 1-minute stop, 5-minute fix, 5-minute rinse. Scripted […]
Posted inMedium format
Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 10:15 (N+2/3) 1-minute presoak, 60 seconds initial agitation, 5 inversions / 60 seconds, 1-minute stop, 5-minute fix, 5-minute rinse. […]
Posted inMedium format
Photography: Decked out – Shot on Kodak Portra 800 at EI 200 (120 format)
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Decked out Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6×6.
Posted inCONTAX film camera reviews
An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…
Posted inMedium format
Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6x6Push processed 6-stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+79 (F): 23°C/73°F, 47: (N+6), no presoak, 1-minute initial agitation, 5 seconds agitation / minute, 1-minute stop, 5-minute fix , 5-minute […]
Posted inMedium format
Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully
Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
Posted inMedium format
Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02
Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E
Posted inMedium format
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Posted inMedium format
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Posted inFilm stock reviews
Blind film review #02: CineStill 800T vs Kodak Portra 400 in 120 format
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.
Posted inHasselblad film camera reviews
The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
Posted inMedium format
Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot
Shot on Fuji Provia 100F (RDP III
Posted inMedium format
Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Posted inMedium format, Photography
Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01
Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)
Not in stock
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Posted inMedium format, Photography
Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
 
