Home Tags Hasselblad Planar F 80mm f/2.8

Tag: Hasselblad Planar F 80mm f/2.8

Decked out - Shot on Kodak Portra 800 at EI 200. Color negative film in 120 format shot as 6x6.
Medium format

Photography: Decked out – Shot on Kodak Portra 800 at EI...

EM -
0
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6x6
Reviewing the CONTAX AX: autofocusing manual focus lenses
Camera Reviews

An early swansong? Reviewing the CONTAX AX: autofocusing manual lenses

EM -
12
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and...
On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.
Medium format

Photography: On the job – Shot on ILFORD Delta 400 Professional...

EM -
3
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format...
Tread carefully - ILFORD HP5 PLUS shot at EI 3200. Black and white negative in 120 format shot as 6x6. Push processed 3 stops.
Medium format

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI...

EM -
2
Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.
Medium format

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS...

EM -
2
Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6x61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8   Development notesKodak HC-110 1+47 (E
Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI...

EM -
1
Dead center Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME review Dead
Rested - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Medium format

Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400...

EM -
3
Rested Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME
Cover - Blind film review #02- CineStill 800T vs Kodak Portra 400 (120 format)
CineStill Film Stock Reviews

Blind film review #02: CineStill 800T vs Kodak Portra 400 in...

EM -
11
This article pits Kodak's medium format Portra 400 against CineStill's 800T in a head-to-head.
Cover - The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter unicorn
Camera Reviews

The Ultimate guide to the Hasselblad 2000FCW, a focal plane shutter...

EM -
16
The Hasselblad 2000FCW was the third in the legendary Swedish company's family of 6x6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
My spot - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6x4.5.
Medium format

Photography: My spot – Shot on Fuji Provia 100F RDP III...

EM -
0
My spot Shot on Fuji Provia 100F (RDP III
Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6
Medium format

Photography: Pure Colombian – Shot on Konica Pan 100 at EI...

EM -
0
Pure Colombian Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6x6 Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6x6.
Waiting area - Shot on Kodak EKTACHROME 200 E200 at EI 200. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200...

EM -
3
Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6x6    
Not in stock - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.
Medium format

Photography: Not in stock – Shot on Rollei Ortho 25 at...

EM -
0
Not in stock Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6x6   Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.
Medium format

Photography: Light traffic – Shot on Rollei Ortho 25 at EI...

EM -
3
Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6x6   Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
My pond has no fish - Shot on ILFORD FP4 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed 1+2/3 stops.
Medium format

Photography: My pond has no fish – Shot on ILFORD FP4...

EM -
0
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format shot as 6x6 Push processed 1 2/3 stops Read the ILFORD FP4 PLUS review      
Seventeen sticks - Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6x6.
Medium format

Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100...

EM -
0
Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
Light pollution - Shot on Fuji ACROS 100 at EI 50. Black and white negative film in 120 format shot as 6x6. Pull processed one stop.
Medium format

Photography: Light pollution – Shot on Fuji ACROS 100 at EI...

EM -
0
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6x6 Pull processed one stop      
Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.
Medium format

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200...

EM -
3
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6x6 Push processed seven stops    
Lov is the answer - Shot on Kodak Portra 400VC at EI 200. Color negative film in 120 format shot as 6x6.
Medium format

Photography: Lov is the answer – Shot on Kodak Portra 400VC...

EM -
2
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6x6      
Claw - ILFORD HP5 PLUS shot at EI 12800. Black and white negative film in 120 format shot as 6x6. Push processed 5 stops.
Medium format

Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120...

EM -
1
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6x6 Push processed 5 stops.   Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute
123...10Page 1 of 10

EDITOR PICKS

POPULAR POSTS

POPULAR CATEGORY

© © EMULSIVE.org 2015 - 2019

EMULSIVE updates to your inbox

Subscribe to daily and weekly newsletters to receive the latest from EMULSIVE to your inbox.

Thanks for subscribing. Keep an eye out on your inbox. Daily digests are sent out around 2pm EST daily. Weekly digests are sent out at 1pm EST on Sundays.

Your email is safe, promise.