Understandably, I was very excited to hear the news of Fujifilm bringing back NEOPAN 100 ACROS in the form of ACROS II earlier this year. …
Read moreComparing Fujifilm NEOPAN 100 ACROS II to original ACROS. What’s the difference?
And then there was one Shot on Kodak Portra 160 at EI 160Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar …
Read morePhotography: And then there was one – Shot on Kodak Portra 160 at EI 160 (120 format)
Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss …
Read morePhotography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl …
Read morePhotography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Decked out Shot on Kodak Portra 800 at EI 200Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
When it comes to autofocusing manual lenses on film cameras there is really only one option: the unique and relatively short-lived CONTAX AX. Chunky sibling of the CONTAX RX and…
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad …
Read morePhotography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)
Tread carefully
Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
Side entrance #02
Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Development notesKodak HC-110 1+47 (E
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
This article pits Kodak’s medium format Portra 400 against CineStill’s 800T in a head-to-head.
The Hasselblad 2000FCW was the third in the legendary Swedish company’s family of 6×6 focal plane shutter cameras. If you want to be able to use all Hasselblad lenses (including 13 lenses that can only be used with this
My spot
Shot on Fuji Provia 100F (RDP III
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Waiting area #01
Shot on Kodak EKTACHROME 200 E200 at EI 200
Color reversal (slide) film in 120 format shot as 6×6
Not in stock
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Light traffic
Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6
Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
 
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Seventeen sticks
Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
