EMULSIVE interview #210: I am Carlos Lopez Medrano and this is why I shoot film
Welcome to 2020 here on EMULSIVE! I hope you all had a peaceful ringing in of the new year. For my part, I was in … Read more
5 Frames… With ILFORD FP4 PLUS (EI 25 / 120 format / Hasselblad 501CM) – by Mark Messerly
When photographers first started to abandon film en masse, there were fantastic opportunities to buy equipment that otherwise would be out of my price range. … Read more
Changing gear: how the theft of my kit pushed me into medium format
Changing Gear is a new series here on EMULSIVE where photographers are invited to talk about equipment or events that have changed the way they approach the world through their lens.
How-to: Shoot a wedding on film… dos, don’ts and the beauty of film – by Ted Smith
First things first, I am not a full time professional (or really even a part-time) wedding photographer.
EMULSIVE interview #169: I am Darren Kelland and this is why I shoot film
Welcome to this week’s EMULSIVE interview.
Minimalism in photography – by Darren Kelland
“Simplicity is the ultimate sophistication”, Leonardo Da Vinci
Minimalism of any form requires a degree of discipline…
The discipline required is to recognize what is essential and is superfluous. So it is with minimalist photography.
EMULSIVE interview #27: I am Colin Wilson and this is why I shoot film
Considered, methodological, quiet, contemplative.
Today’s film photographer isn’t someone you’ll likely see running after the next shot.
