Granatum
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Cross processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Granatum
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 120 format shot as 6×6
Cross processed
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Spring buds #02
Shot on Fuji Provia 400X (RXP) at EI 800
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 32E
1-stop push
Purrrple
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
Veins #01
Shot on Fuji Provia 400X (RXP) at EI 800
Color reversal (slide) film in 120 format shot as 6×6
Hasselblad 32E
1-stop push
Spring buds #01
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film shot as 6×6
Hasselblad 32E
Push processed 1-stop
Read the EKTACHROME 100VS review
Read the EKTACHROME 100VS experimentation guide
 
Red cabbage light study #01
Shot on Kodak Ektar 100 at EI200
Color negative film in 120 format shot as 6×6
Developed as black and white in Rodinal
Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
Wax apple light study #02
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube
Wax apple light study #01
Ilford Pan F Plus shot at EI 50
Black and white negative film in 120 format shot as 6×6
32E extension tube