Tag: Hasselblad 2000FCW Film Camera
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5 Frames… With Kodak Portra 400 (EI 400 / 120 format / Hasselblad 2000FCW)
Hamish Gill, resident crackpot over at 35MMC.com recently sent out a call for submissions for a new series of articles over on Twitter.
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Photography: Always watching – Shot on Rollei Retro 80S (120 format)
Always watching Shot on Rollei Retro 80S at EI 80 Black and white negative film in 120 format Hasselblad Planar F 80 F/2.8
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Photography: Hand-stitched quality – Rollei Retro 80S (120)
Hand-stitched quality Shot on Rollei Retro 80S at EI 80 Black and white negative film in 120 format shot as 6×6
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Photography: The stars above – Shot on Kodak Portra 400 at EI 400 (120 format)
The stars above Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Tinkle time – Shot on Kodak Portra 400 at EI 400 (120 format)
Tinkle time Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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EMULSIVE interview #147: I am Isabel Curdes and this is why I shoot film
I’ve been looking forward to this for a while and in fact…that’s all I’m going to say about it.
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Photography: Capped – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Capped Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Crisp – Shot on Kodak T-MAX 400 – TMY-2 (120)
Crisp Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)
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Photography: Waiting for the count – Shot on Cinestill 800T at EI 800 (120 format)
Waiting for the count Shot on Cinestill 800T at EI 800 Color negative film in 120 format shot as 6×6
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Photography: Crease – Shot on Kodak T-MAX 400 TMY-2 at EI 100 (120 format)
Crease Shot on Kodak T-MAX 400 (TMY-2) at EI 100 Black and white film in 120 format shot as 6×6 Hasselblad 16E extension tube (0.7 stop compensation)