Tag: Fujifilm
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Photography: Port’s Mouth – Fuji Acros 100 (120)
Port’s Mouth Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: The little details – Fuji Provia 100F – RDP III (120)
The little details Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Boiler room – Fuji Acros 100 (120)
Boiler room Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format
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Results time: Fuji Instax Mini Monochrome photo competition
Thank you all very much for your patience over the past few weeks.
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EMULSIVE interview #120: I am Dustin Veitch and this is why I shoot film
Probably known as much for his Analog Monthly blog posts, as he is for his silly Twitter name (what is a faulty flip flap, anyway?), I’m pleased to be able to finish of 2016’s EMULSIVE interviews with the one and
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Photography: Straight up – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Straight up Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Generational distractions – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Whatcha got? – Fuji Reala 100 (35mm)
Whatcha got? Fuji Reala 100 shot at EI 100 Color negative film in 35mm format
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Photography: I’m so glad you came… Fuji Pro 160 NPC (120)
I’m so glad you came… Fuji Pro 160 NPC shot at EI 160 Color negative film in 120 format shot as 6×6 2x Tele-Converter 2- stop push process
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EMULSIVE interview #117: I am Alex Luyckx and this is why I shoot film
Alex Luyckx. For me it’s a name synonymous with an irascible passion for film.
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EMULSIVE interview #116: I am Richard Pickup and this is why I shoot film
I’m hoping you remember today’s interviewee from his wonderful contributed article discussing the importance and impact of effective visualisation for film photographers. If you haven’t read it yet head on over, we’ll wait. Back? Excellent.
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Photography: Tread – Fuji Reala 500D 8592 (35mm)
Tread Fuji Reala 500D (8592) shot at EI 100 Color motion picture film in 35mm format
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Photography: All bunched up – Fuji Provia 100F – RDP III (120)
All bunched up Shot on Fuji Provia 100F (RDP III) at EI 200 Color reversal (slide) film in 120 format shot as 6×6 30mm fisheye Push processed one stop Read the Fuji Provia 100F (RDP III) review here.  
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Photography: Malts – Fuji Acros 100 (120)
Malts Fuji Acros 100 shot at EI 400 Black and white film in 120 format shot as 6×6 Push processed two-stops
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Photography: Shoes off at the door please – Fuji Pro 400H (120)
Shoes off at the door please Fuji Pro 400H shot at EI 400 Color negative film in 120 format shot as 6×4.5 2x Teleconverter
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EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
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Photography: One half and two quarters – Fuji Neopan 400CN (35mm)
One half and two quarters Fuji Neopan 400CN shot at EI 200 Black and white film in 35mm format