• All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
  • 5 Frames…
  • Darkroom
  • Featured community projects
  • Film camera reviews
  • Film stock reviews
  • Film photographer interviews

More links

  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Skip to content
  • About
  • Submit
  • Contact
  • Buy stuff
  • Your account
    • Sign-in
    • Sign-up
    • Recover password
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon
EMULSIVE

EMULSIVE

film.photography

  • All articles
    • 5 Frames…
    • Everything darkroom / wet printing
    • Film experiments + souping
    • Featured community projects
    • Global Film Lab Map
    • Guides & How-Tos
    • News
    • EMULSIVE Secret Santa
    • Opinion pieces
  • All reviews
    • Film camera reviews
      • Instant film camera review
      • 110 film cameras
      • 35mm film cameras
        • 35mm P&S/AF cameras
        • 35mm rangefinder cameras
        • 35mm SLR film cameras
        • 35mm zone/scale focus cameras
      • Medium format film cameras
        • Medium format P&S/AF cameras
        • Medium format rangefinder cameras
        • Medium format SLR cameras
        • Medium format TLR cameras
        • Medium format zone/scale focus cameras
      • Large format camera
    • Film stock reviews
    • Bag reviews
    • Lens/strap/accessory reviews
    • Print reviews
  • Guides / How-to
  • Interviews
    • Community interviews
    • Film photographer interviews
    • In conversation with…
    • My First Roll…
    • My return to film…
  • More
    • Film parties
    • Photography
      • 110 format film photography
      • 35mm format film photography
      • Medium format film photography
      • 65mm format film photography
      • Large format film photography
    • Sitemap
    • EMULSIVE Store
    • Write for EMULSIVE
    • Login
Home » Fujifilm FUJICOLOR Pro 400H » Page 4

Tag: Fujifilm FUJICOLOR Pro 400H

Big brother - Fuji Pro 400H shot at ISO50. Color negative film in 120 format shot as 6x6.Over exposed three stops.
Posted inMedium format, Photography

Photography: Big brother – Shot on Fuji Pro 400H (120)

Avatar - EMby EMNovember 17, 2015October 16, 2020

Big brother

Shot on Fuji Pro 400H at EI 50
Color negative film in 120 format shot as 6×6
Over exposed three stops

 

 

 

Sunset: under construction / Fuji Velvia 100 (RVP) / ISO200 / 120 / 6x6 / 1-stop push process.
Posted inMedium format, Photography

Photography: Sunset: under construction – Fuji Velvia 100 RVP100 (120)

Avatar - EMby EMNovember 11, 2015October 16, 2020

Fuji Velvia 100 (RVP) shot at ISO200
Color reversal (slide) film in 120 format shot as 6×6
Push processed one-stop

 

Persici blossom - Fuji Pro 400H shot at ISO 400. Color negative film in 120 format shot as 6x4.5. Planar 80/2.8 - E16 macro extension tube
Posted inMedium format, Photography

Photography: Persici blossoms – Shot on Fuji Pro 400H at EI 400 (120 format)

Avatar - EMby EMNovember 9, 2015October 16, 2020

Persici blossoms

Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×4.5
Hasselblad Planar 80mm f/2.8 – E16 macro extension tube

 

 

 

Atop Trade Technical
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #33: I am Kwasi Boyd-Bouldin and this is why I shoot film

Avatar - EMby EMNovember 5, 2015October 16, 2020

Today we’re sitting down with Kwasi Boyd-Bouldin, one half of the co-founding team of LA-based Snapshot Galleria.

Kwasi has been documenting the (changing) urban landscape of Los Angeles for more than decade;

David "I've never had GAS" Toman
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #24: I am David Toman and this is why I shoot film

Avatar - EMby EMOctober 6, 2015October 16, 2020

Here we are again for a sit-down with another film photographer.

Carved - Fuji Pro 400H shot at ISO200.
Posted inMedium format, Photography

Photography: Carved – Fuji Pro 400H (120)

Avatar - EMby EMOctober 5, 2015October 16, 2020

Carved
Fuji Pro 400H shot at EI 200
Color negative film in 120 format shot as 6×6
 

 

 

Copyright - Riley Joseph
Posted inFilm Photographer Interviews

EMULSIVE interview #20: I am Riley Joseph and this is why I shoot film

Avatar - EMby EMSeptember 22, 2015October 16, 2020

Today I’m sitting down with self-proclaimed Canadian Gentleman, Riley Joseph.

Slightly more comfortable in his photographer’s skin now that he’s had the chance to “settle in” to carrying a camera after 17 long years of trying, I’m hoping to

Americana? - Fuji Pro 400H
Posted inMedium format, Photography

Photography: Americana? – Shot on Fuji Pro 400H at EI 400 (120 format)

Avatar - EMby EMSeptember 22, 2015October 16, 2020

Americana?
Fuji Pro 400H shot at EI 400
Color negative film in 120 format shot as 6×6
 

 
 

 

Tim Dobbs - Mamiya C330 - Kodak Ektar
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #16: I am Tim Dobbs and this is why I shoot film

Avatar - EMby EMSeptember 8, 2015December 16, 2020

One must keep on one’s toes when talking with the Welsh.

Two hearts - Fuji Pro 400H shot at ISO400.
Posted inMedium format, Photography

Photography: Two hearts – Fuji Pro 400H (120)

Avatar - EMby EMAugust 25, 2015October 16, 2020

Two hearts
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format as 6xx4.5
 

 
 

 
 

Watching the world go by - Fuji Pro 400H shot at ISO400.
Posted inMedium format, Photography

Photography: Watching the world go by – Shot on Fuji Pro 400H at EI 400 (120 format)

Avatar - EMby EMAugust 24, 2015October 16, 2020

Watching the world go by
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6×6
 

 
 

Posts navigation

Newer posts 1 2 3 4
  • Latest
  • Popular
Latest
Popular

Subscribe

* indicates required



Subscribe to:

Marketing Permissions: Please select all the ways you would like to hear from EMULSIVE:



New to film photography? Read this:

Related reading

My Rolleiflex 2.8GX, Aivaras Sidla
5 frames… of people with FujiFilm Velvia 50 and Rolleiflex 2.8GX
Under George - Shot on Fuji Pro 400H at EI 200. Color negative film in 120 format shot as 6x4.5.
Photography: Under George – Fuji Pro 400H (120)
Innovation Tower - Shot on ADOX Silvermax 100 at EI 100. Black and white negative film in 35mm format.
Photography: Innovation Tower – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
From below - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 35mm format. Shot with #21 orange filter.
Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
Shots fired - “Making the Rounds” - Kodak 250D
Photography: Making the Rounds – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format )
Paddy whacker - Kodak AEROCHROME III 1443 shot at EI 400. Color infrared aerial surveillance film in 120 format shot as 6×6. Shot with #21 orange filter.
Photography: Paddy whacker – Shot on Kodak AEROCHROME III 1443 (120)
Find out how you can help support EMULSIVE from as little as $2 a month on Patreon.Learn more
EMULSIVE
  • Facebook
  • Instagram
  • Pinterest
  • Reddit
  • Twitter
  • YouTube
  • Mastadon

EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz Villalba
  • 5 Frames… From Devotion chapter one: “Girls” – Kodak Tri-X 400 (120 format / EI 400 / Yashica 635) – by Lisa K Cho
  • 510 Pyro. My new favourite developer? – by Chris Chinnock 
  1. Robert Shanebrook on 5 Frames… Of Kodak PPF Pro 400, expired 1999 (120 Format / EI 50 / Mamiya RB67 + Mamiya Sekor C 90mm f/3.8 and 50mm f/4.5) – by Pablo Cruz VillalbaMarch 26, 2023
  2. EM on Camera review: Me and My Yashica-D (80mm f/3.5) TLRMarch 26, 2023
  3. Alasdair J Mackintosh on 5 Frames… Of Kodak Plus-X Professional 125 / 120 / EI 50 / Ansco Speedex 4.5 Special + Agfa Solinar 85mm f/4.5) – by Rodolfo E. RamírezMarch 24, 2023
  • About
  • Submit
  • Buy stuff
  • Contact
  • Policies
  • Login
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
© 2015-2023 EMULSIVE.