Tag: EMULSIVE Daily Photo
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Photography: 45 Special – Shot on Kodak VISION3 200T 5213 at EI 200 (35mm format)
45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format
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Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format I don’t often ever add commentary to my daily photo posts but this one is a little special. It’s my photographic keystone.
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Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)
Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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Photography: Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)
Ignominious defeat Shot on ORWO N74 plus at EI 400 Black and white negative film in 35mm format Development notes Rodinal: 1+100, 21°C/70°F, 60:00 (N) No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse  
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Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
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Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Street art – Shot on Fuji Superia 400 Premium at EI 400 (35mm format)
Street art Shot on Fuji Superia 400 Premium at EI 400 Color negative film in 35mm format
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Photography: No smoking – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
No smoking Shot on Fuji NEOPAN 400 at EI 400 Black and white negative film in 35mm format Over processed one stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:30 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)
Not in stock Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Load bearing – Shot on Lomography Earl Grey BW 400 at EI 1600 (35mm format)
Load bearing Shot on Lomography Lady Grey BW 400 at EI 1600. Black and white negative film in 35mm format. Push processed two stops. Development notes: Kodak HC-110: 1+47(E), 21°C/70°F, 06:00 (N+2) No presoak, 1-minute initial agitation
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Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)
Light traffic Shot on Rollei Ortho 25 at EI 25 Black and white negative film in 120 format shot as 6×6 Development notes: Rodinal: 1+50, 21°C/70°F, 06:00 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse  
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Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)
My pond has no fish Shot on ILFORD FP4 PLUS at EI 400 Black and white negative film in 120 format shot as 6×6 Push processed 1 2/3 stops Read the ILFORD FP4 PLUS review
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Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)
Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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Photography: Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)
Bound Shot on Fuji Superia 100 at EI 100 Color negative film in 35mm format
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Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)
Flow Shot on Kodak Tri-X 400 at EI 51200 Black and white negative film in 120 format shot as 6×6 Push processed seven stops
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