Tag: EMULSIVE Daily Photo
-
Photography: Magic happening – Shot on Fujifilm FUJICOLOR C200 at EI 200 (35mm Format)
Shot on Fujifilm FUJICOLOR C200 at EI 200Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D
-
Photography: Anamorphic test #04 – Shot on Kodak Ektar 100 at EI 100 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Ektar 100 at EI 100Color negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
-
Photography: Anamorphic Test #03 – Shot on Kodak Eastman Double-X (5222) at EI 800 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Kodak Eastman Double-X (5222) at EI 800Black and white negative film in 35mm formatPush processed 3 stopsNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
-
Photography: Anamorphic Tests #02 – Shot on Fujifilm NEOPAN 100 ACROS at EI 200 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 35mm formatPush processed a single-stopNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
-
Photography: Small eats – Shot on Ultrafine eXtreme 400 at EI 400 (35mm format)
Shot on Ultrafine eXtreme 400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 50mm f/1.8 AF-D
-
Photography: Anamorphic Test #01 – Shot on Bergger BRF-400 at EI 400 (35mm Format)
Part of my ongoing 35mm anamorphic tests on film… Shot on Bergger BRF-400 at EI 400Black and white negative film in 35mm formatNikon F100, Nikkor 85mm f/1.8 AF-D + ISCO Ultra Star 2.1
-
Photography: Chime / 引磬 / Yǐn Qìng – Shot on Lomography Color Negative 100 at EI 100 (35mm format)
Shot on Lomography Color Negative 100 at EI 100,Color negative film in 35mm format,CONTAX AX, Carl Zeiss Sonnar T* 135mm f/2.8
-
Photography: Coiled #04 – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED. Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
-
Photography: Household Abstractions #01 – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED. Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
-
Photography: Road Warrior – Shot on ILFORD FP4 PLUS at EI 500 (35mm Format)
Shot on ILFORD FP4 PLUS at EI 500.Black and white negative film in 35mm format.Push processed 2-stops.Nikon F6 + Nikon 70-200mm f/2.8 VR / Nikon Super Coolscan 4000 ED Read the full ILFORD FP4 PLUS review here. Development notesILFORD ILFOTEC LC29: 1+19, 20°C / 68°F, 14:15 (N+2)No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
-
Photography: One straight line – Shot on Kodak EKTACHROME E100 at EI 100 (120 Format)
One straight line Shot on Kodak EKTACHROME E100 at EI 100Color reversal (slide) film in 120 format shot as 6×9Fuji GW690III Professional Read the Kodak EKTACHROME E100 guide – shot at EI 100, 200, 400 and 800. If you’re reading this and remembering a time when I posted daily photographs from my archive and current…
-
Photography: Autumn glow – Shot on Fuji Provia 100F (RDP III) at EI 100 (4×5 format)
Autumn glow Shot on Fuji Provia 100F (RDP III) at EI 100Color reversal (slide) film in 4×5 formatAEROgraphic: Kodak Aero Ektar 7″ (178mm) f/2.5 + Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.
-
Photography: And then there was one – Shot on Kodak Portra 160 at EI 160 (120 format)
And then there was one Shot on Kodak Portra 160 at EI 160Color negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
-
Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 10:15 (N+2/3) 1-minute presoak, 60 seconds initial agitation, 5 inversions / 60 seconds, 1-minute stop, 5-minute fix, 5-minute rinse.
-
Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 10:15 (N+2/3) 1-minute presoak, 60 seconds initial agitation, 5 inversions / 60 seconds, 1-minute stop, 5-minute fix, 5-minute rinse.
-
Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #02 Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
-
Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in
-
Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
-
Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E