Tag: EM’s Photography
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Photography: 1000 layers – Shot on Lomography Color Negative 800 at EI 800 (35mm format)
1000 layers Shot on Lomography Color Negative 800 at EI 800 Color negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S 1000 layersShot on Lomography Color Negative 800 at EI 800.Color negative film in 35mm format.Nikon
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Photography: Velour for miles – Shot on Fuji Eterna 500T 8573 at EI 500 (35mm format)
Velour for miles Shot on Fuji Eterna 500T 8573 at EI 500 Color motion picture film in 35mm format
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Photography: Spray – Shot on Efke KB25 at EI 25 (35mm format)
Spray Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak
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Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6×6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes Cinestill Df96 monobath
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Photography: Black sand – Kodak VISION3 200T 5213 at EI 200 (35mm format)
Black sand Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format
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Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)
Journey’s end Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial agitation
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Photography: School’s out – Shot on Kodak VISION3 250D 5207 (35mm format)
School’s out Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)
Old timer Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial
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Photography: On the edge – Shot on Kodak VISION3 250D 5207 (35mm format)
On the edge Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)
Confusion Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak
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Photography: 45 Special – Shot on Kodak VISION3 200T 5213 at EI 200 (35mm format)
45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format
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Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format I don’t often ever add commentary to my daily photo posts but this one is a little special. It’s my photographic keystone.
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Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)
Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photography: Open invitation – Shot on Kodak T-MAX 3200 (TMZ) at EI 800 (35mm format)
Open invitation Shot on Kodak T-MAX 3200 (TMZ) at EI 800 Black and white negative film in 35mm format Pull processed 2 stops Leica M6 TTL 0.85 + 7artisans 35mm f/2 (read the lens review) Development notes Kodak HC-110
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Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)
The left of right Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 4×5 format Graflex Speed Graphic, Graflex Optar 135 f/4.7 Developed in Cinestill Df96 monobath
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Photography: Ignominious defeat – Shot on ORWO N74 plus at EI 400 (35mm format)
Ignominious defeat Shot on ORWO N74 plus at EI 400 Black and white negative film in 35mm format Development notes Rodinal: 1+100, 21°C/70°F, 60:00 (N) No presoak, 1-minute initial agitation, 3 inversions/ 30 minutes, normal stop/fix/rinse  
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Photography: Waiting area #02 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #02 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Super absorbent – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Super absorbent Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 06:45 (N+2/3) No presoak, 1-minute initial agitation, 5
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Photography: Waiting area #01 – Shot on Kodak EKTACHROME 200 E200 at EI 200 (120 format)
Waiting area #01 Shot on Kodak EKTACHROME 200 E200 at EI 200 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
