Tag: EM’s Photography
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Photography: Seeing spots – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm format)
Seeing spots Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format Push processed 2/3 stop Development notes Kodak HC-110 1+31(B): 21°C/68°F, 07:30 (N+2/3) 1 minute presoak, 30 seconds initial
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Photography: Window shopping – Shot on Fuji Superia X-TRA 400 at EI 800 (35mm format)
Window shopping Shot on Fuji Superia X-TRA 400 at EI 800. Color negtive film in wide 35mm format (TEXPan). Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5.
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Photography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 17:00 (N+2⅔) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Leave it to burn – Shot on ILFORD FP4 PLUS at EI 800 (120 format)
Leave it to burn Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in 120 format shot as 6×9. Push processed 2⅔-stops. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B
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Photography: Duvel – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Duvel Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00
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Photography: It’s all theatre – Shot on Kodak Portra 160 at EI 160 (35mm format)
It’s all theatre Shot on Kodak Portra 160 at EI 160 Colour negative film in 35mm format Leica M6 TTL 0.85 + Canon S Serenar 50mm f/1.5
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Photography: Slow Day – Shot on Lomography Berlin 400 at EI 800 (35mm format)
Slow day Shot on Lomography Berlin 400 at EI 800. Black and white motion picture film in wide 35mm format (TEXPan) Push processed 1-stop. Fuji GW690III + EBC Fujinon 90mm f/3.5. Development notes Kodak HC-110: 1+31(B), 21°C/70°F, 11:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)
Up and to the right #02 Shot on ILFORD SFX 200 at EI 6 Black and white infrared sensitive film in 120 format shot as 6×6 Zeiss Distagon CFi 50mm f/4 + R72 IR filter
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Photography: No garbage! – Shot on Kodak T-MAX 400 at EI 400 (120 format)
No garbage! Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Lunch – Shot on Kodak ColorPlus 200 at EI 200
Lunch Shot on Kodak ColorPlus 200 at EI 200. Color negative film in 35mm format. Olympus XA. More samples here.
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Photography: PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)
PADI certified Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Photography: Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)
Y? Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)
Buttcrack Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.