Tag: EM’s Photography
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Photography: Between adventures – Shot on Lomochrome Purple XR100-400 at EI 400 (120 format)
Between adventures Lomochrome Purple XR100-400 shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: 凱 / Kǎi – Kodak Ektar 100 (120)
凱 / Kǎi Kodak Ektar 100 shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Glee – Shot on Kodak Portra 160 at EI 160 (120 format)
Glee Shot on Kodak Portra 160 at EI 160Color negative film in 120 format shot as 6×6 GleeKodak Portra 160 shot at EI 160.Color negative film in 120 format shot as 6×6.
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Photography: No entry – Fujicolor 100 (35mm)
No entry Fujicolor 100 shot at EI 100 Color negative film in 35mm format Expired 1999
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Photography: Blue – Fuji Superia Premium 400 (35mm)
Blue Fuji Superia Premium 400 shot at EI 1600 Color negative film in 35mm format Push processed three stops
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Photography: Spitfire – Shanghai GP3 100 (120)
Spitfire Shanghai GP3 100 shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed three stops
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Photography: Feed me – Kodak Portra 400 (120)
Feed me Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot at 6×6
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Photography: Lamina leaf – Agfa Vista Plus 200 (35mm)
Lamina leaf Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: Crabby bunch – Agfa Vista Plus 200 (35mm)
Crabby bunch Agfa Vista Plus 200 shot at EI 200 Color negative film in 35mm format Read the Agfa Vista Plus 200 review
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Photography: Ferruginous – Kodak Portra 400 (120)
Ferruginous Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 Partial double exposure / end of roll
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Photography: Propped – Shot on Kodak Tri-X 400 at EI 800 (120)
Propped Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400 push processing
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Photography: Picket fence – Fuji Velvia 100 – RVP 100 (120)
Picket fence Fuji Velvia 100 (RVP100) shot at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Carved – Fuji Pro 400H (120)
Carved Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Dirty load – Shot on Fuji Pro 160NPC at EI 160 (120 format)
Dirty load Shot on Fuji Pro 160NPC at EI 160 Color negative film in 120 format shot as 6×6
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Photography: Stake-out – Rollei Retro 400S (35mm)
Stake-out Rollei Retro 400S shot at EI 25 Black and white infrared-sensitive negative film in 35mm format R72 filter
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Photography: Rainy days, rainy haze – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Rainy days, rainy haze Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Glovely sentiment – Shot on Fuji Superia 100 at EI 100 (120 format)
Glovely sentiment Shot on Fuji Superia 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Webbed – Fuji Velvia 100 RVP100 (120)
Webbed Fuji Velvia 100 shot at EI 100 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Luck in red and gold – Shot on Kodak VISION3 250D 5207 at EI 250 (35mm format)
Luck in red and gold Kodak 250D (5207 65mm) shot at EI 250 Color motion picture film in 65mm format shot as 6×4.5 65mm film hand cut and bulk-loaded as 120
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Photography: Flagged – Fuji 250D 8563 (35mm)
Flagged Fuji 250D (8563) shot at EI 250 Color motion picture film in 35mm format
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
