Tag: EM’s Photography
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Photography: We eat the same – Shot on Kodak Ektar 100 at EI 50 (35mm format)
We eat the same sh1t Shot on Kodak Ektar 100 shot at EI 50Color negative film in 35mm formatOver-exposed 1-stop We eat the same sh1tKodak Ektar 100 shot at EI 50Color negative film in 35mm formatOver-exposed 1-stop.
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Photography: Dappled – Shot on Mitsubishi 100 Color at EI 100 (35mm format)
Dappled Shot on Mitsubishi 100 Color at EI 100 Color negative film in 35mm format Expired
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Photography: Fan out – Shot on Kodak Tri-X 400 at EI 100 (120)
Fan out Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×4.5 Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Slumbering – Fuji Velvia 100 RVP100 (120)
Slumbering Fuji Velvia 100 shot at ISO200 Color reversal (slide) film in 120 format Push processed one stop
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Photography: Disintegrated – Shot on Kodak Portra 400 at EI 400 (120 format)
Disintegrated Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Slats slats slats – Kodak Pro Image 100 (35mm)
Slats slats slats Kodak Pro Image 100 shot at ISO100 Color negative film in 35mm format
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Photography: Cracking up – Shot on Kodak Portra 400 at EI 1600 (120 format)
Cracking up Shot on Kodak Portra 400 at EI 1600 Color negative film in 120 format shot as 6×4.5 Push processed two stops
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Photography: Railroaded – Shot on Kodak Ektar 100 at EI 100 (120 format)
Railroaded Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Well connected – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Well connected Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 120 format shot as 6×4.5 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Red giant – Shot on Fuji Velvia 100F RVP100F at EI 100 (35mm format)
Red giant Fuji Velvia 100F (RVP100F) shot at EI 100 Color reversal (slide) film in 35mm format Cross processed
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Photography: Enter at your own risk – Kodak Ektar 100 (120)
Enter at your own risk Kodak Ektar 100 shot at ISO100 Color negative film in 35mm format
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Photography: Nestled in the hills – Shot on Kodak Ektar 100 at EI 100 (120 format)
Nestled in the hills Shot on Kodak Ektar 100 at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Here is good – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Here is good Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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Photography: Golden bamboo – Shot on Fuji Veliva 100 RVP100 at EI 200 (120 format)
Golden bamboo Shot on Fuji Veliva 100 (RVP100) at EI 200 Color reversal (slide) film in 120 format shot at 6×6 Push processed one stop
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Photography: Emerald skyscape – Shot on Kodak EKTACHROME 100D Color Reversal Film 5285 at EI 100 (35mm format)
Emerald skyscape Shot on Kodak EKTACHROME 100D Color Reversal Film 5285 at EI 100 Color reversal (slide) motion picture film in 35mm format Cross processed
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Photography: Gilded – Shot on Fuji Velvia 100F RVP100F at EI 80 (35mm format)
Gilded Shot on Fuji Velvia 100F RVP100F at ISO80 Color reversal (slide) film in 35mm format Expired and cross processed
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Photography: I’m watching you – Shot on Kodak Ektar 100 at EI 100 (35mm format)
I’m watching you Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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Photography: Behind door #3 – Shot on Kodak VISION3 250D 5207 at EI 250 (65mm format)
Behind door #3 Kodak 250D (5207) shot at EI 250 Color motion picture film in 65mm format Hand cut and rolled as 120 format
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Photography: Harlequin – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Harlequin Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format
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Photography: Autumn’s arrival – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Autumn’s arrival Shot on Fuji Velvia 50 (RVP) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 Cross processed.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
