Tag: EI 50
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Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 10:15 (N+2/3) 1-minute presoak, 60 seconds initial agitation, 5 inversions / 60 seconds, 1-minute stop, 5-minute fix, 5-minute rinse.
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Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)
Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 10:15 (N+2/3) 1-minute presoak, 60 seconds initial agitation, 5 inversions / 60 seconds, 1-minute stop, 5-minute fix, 5-minute rinse.
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Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6×6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes Cinestill Df96 monobath
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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5 Frames… With Fujifilm Fujichrome Velvia (EI 50 / 35mm format / Leica M6)
1990 was a good year. The world looked on as the Berlin Wall fell and Germany embraced reunification. I bought a Canon AE1.
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Photography: Hanging on a prayer – Shot on ILFORD PAN F PLUS at EI 50 (35mm format)
Hanging on a prayer Shot on ILFORD PAN F PLUS at EI 50 Black and white negative film in 35mm format
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Photography: Pre-exposed – Fuji Velvia 50 RVP50 (120 format)
Pre-exposed Shot on Fuji Velvia 50 (RVP 50) at EI 50 Color reversal (slide) film in 120 format shot as 6×6 XPRO
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Photography: Ginger snaps – Lucky New SHD 100 (35mm)
Ginger snaps Lucky New SHD 100 shot at EI 50 Black and white negative film in 35mm format
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Photography: Squidding – Shot on ILFORD Pan F+ at EI 50 (35mm)
Squidding Shot on ILFORD Pan F+ at EI 50. Black and white negative film in 35mm format.
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Photography: One more coat – Kodak Ektar 100 (35mm)
One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops
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Photography: Through the crack – Shot on Kodak Ektar 100 at EI 50 (35mm)
Through the crack Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format One stop push / one stop over development
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Photography: Drunk – Lomochrome Turquoise XR 100-400 (120)
Drunk Lomochrome Turquoise XR 100-400 shot at EI 50 Color negative film in 120 format shot as 6×4.5
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Photography: At the foot of the hill – Ilford Pan F+ (120)
Just at the foot of the hill Ilford Pan F+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 4 stops