Tag: EI 400
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Photography: Taking out the trash – ILFORD FP4 PLUS (35mm format)
Taking out the trash ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Steamroom – Ilford FP4+ (35mm)
Steamroom Ilford FP4+ shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops
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Photography: The gatekeeper – ILFORD FP4 PLUS (35mm format)
The gatekeeper ILFORD FP4 PLUS shot at EI 400 Black and white negative film in 35mm format Push processed 1+2/3 stops Read the ILFORD FP4 PLUS review.
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Photography: Vernicular rising – Shot on Kodak AEROCHROME III 1443 (120)
Vernicular rising Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Straight down – JCH Streetpan 400 (35mm)
Straight down JCH Streetpan 400 shot at EI 12 Black and white negative film in 35mm format R72 720nm filter
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Photography: 高 / Tall – Fuji Provia 400X – RXP (120)
高 / Tall Fuji Provia 400X (RXP) shot at EI 400 Color reversal (slide) film in 120 format shot as 6×6
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Photography: Take the stairs – Fuji Neopan 400 (35mm)
Take the stairs Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Break time – Ilford FP4+ (120)
Break time Ilford FP4+ shot at EI 400 Black and white negative film in 120 format shot as 6×6 1+1/3 stop push
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Photography: Into the canopy – Fuji Pro 400H (35mm)
Into the canopy Fuji Pro 400H shot at EI 400 Color negative film in 35mm format
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Photography: Straight up – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Straight up Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Generational distractions – Shot on Fuji Neopan 400 at EI 400 (35mm format)
Generational distractions Shot on Fuji Neopan 400 at EI 400 Black and white negative film in 35mm format
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Photography: Pediment – Kodak ULTRA MAX 400 (35mm)
Pediment Kodak ULTRA MAX 400 shot at EI 1600 Color negative film in 35mm format Push processed two stops.
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Photography: Sliver – Kodak Hawkeye Traffic Surveillance Color Film 2486 (35mm)
Sliver Kodak Hawkeye Traffic Surveillance Color Film 2486 shot at EI 400 Color negative film in 35mm format
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Photography: Bring my family back – Ilford HP5+ (120)
Bring my family back Ilford HP5+ shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Vacated – Lomography Color Negative 400 (120)
Vacated Lomography Color Negative 400 shot at EI 400 Color negative film in 120 format shot as 6×6
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Photography: The sorting bucket – Kodak Tri-X 400 (35mm)
The sorting bucket Kodak Tri-X 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Blown over over blown – New Oriental Seagull 400
Blown over over blown Oriental New Seagull 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Pure rot – Ilford HP5+ (120)
Pure rot Ilford HP5+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 Push processed 1 stop
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Photography: Hey, you’re in my sho…never mind – Kodak Tri-X 400 (35mm)
Hey, you’re in my sho…never mind Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 35mm format Push processed one stop Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Bench – Ilford Delta 400 Professional (120)
Bench Ilford Delta 400 Professional shot at EI 400 Black and white negative film in 120 format shot as 6×6 2x Teleconverter
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
