Tag: EI 400
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Photography: Second choice – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 (35mm format)
Second choice Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 800 Black and white negative film in 35mm format Push processed 1 and 2/3 stops
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Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5 stops. Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute
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Photography: Curved plane – Shot on Fujicolor Industrial 400 at EI 400 (35mm format)
Curved plane Shot on Fujicolor Industrial 400 at EI 400 Color negative film in 35mm format
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Photography: Unhinged #02 – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Unhinged Shot on Fuji Premium 400 at EI 400 Color negative film in 35mm format
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Photography: From below – Shot on Kodak AEROCHROME III 1443 (35mm format)
From below Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Dripping red – Shot on Kodak AEROCHROME III 1443 (35mm format)
Dripping red Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 35mm format Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: Child-friendly facilities – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Child-friendly facilities Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Waiting time – Shot on Tri-X 400 at EI 800 (120 format)
Waiting time Shot on Kodak Tri-X 400 at EI 800 Black and white negative film in 120 format shot as 6×6
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Photography: Mirror finish – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Mirror finish Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: Half mast – Shot on ILFORD XP2 Super at EI 400 (120 format)
Half mast Shot on ILFORD XP2 Super at EI 320 Black and white negative film in 120 format shot as 6×6 Orange #21 filter
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Photography: Bike share – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
Bike share Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: In a sea of oil – Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 (35mm format)
In a sea of oil Shot on Lomography Lomochrome Purple XR 100-400 at EI 400 Color negative film in 35mm format
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Photography: View no more – Shot on ILFORD HP5 PLUS at EI 1000 (120 format)
View no more Shot on ILFORD HP5 PLUS at EI 1000 Black and white negative film in 120 format shot as 6×45 Push processed three stops Read the full ILFORD HP5 PLUS review here.
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Photography: Street rider – Shot on Rollei Infrared 400 at EI 400 (35mm format)
Street rider Shot on Rollei Infrared 400 at EI 400 Black and white negative film in 35mm format
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Photography: Cotton candy – Shot on Fuji Superia Premium 400 at EI 400 (35mm Format)
Cotton candy Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Chrysalised – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Chrysalised Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format film
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Photography: Just a lick – Shot on Kodak ULTRA MAX at EI 1600 (35mm Format)
Just a lick Shot on Kodak ULTRA MAX at EI 1600. Color negative film in 35mm format. Push processed two stops.
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Photography: Seat to seat – Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 at EI 400 (35mm format)
Seat to seat Shot on Kodak Hawkeye Traffic Surveillance Color Film 2486 EI 400 Color negative film in 35mm format