film.photography
Half mast
Shot on ILFORD XP2 Super at EI 320
Black and white negative film in 120 format shot as 6×6
Orange #21 filter
Oregon Sunset #02
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Lane control
Shot on Maco Eagle AQS 400 at EI 320
Black and white negative film in 35mm format
Nice pins
Shot on Kodak Portra 400VC at EI 320
Color negative film in 120 format shot as 6×6
Oculus
Kodak T400CN shot at EI 320
Color black and white film in 120 format shot as 6×4.5
Splayed
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×6
Flaky
Shot on Kodak Portra 400VC at EI 320.
Color negative film in 120 format shot as 6×6.
Oregon Sunset
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6×12 film back
Death Valley Approach #01
Kodak Pro 400 MC 6059 shot at EI 320
Color negative film in 120 format shot as 6×12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6×12 film back
Meshed up – 2015-05-02
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6×6
“What is this mysterious object in the sky? Why does it burn my eyes? What is this feeling on my skin?
Lionhead
Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320
Black and white negative film in 135 format
Lightbox
Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320
Black and white negative film in 135 format
Benz’d
Maco Eagle AQS 400 (Rollei Retro 400s) shot at EI320
Black and white negative film in 135 format
Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I incorrectly tweeted).
The over/under exposure and push/pull/XPRO theme covered in my first update of 2016 continues unabated
