Tag: EI 125
Photography: Put your feet up – Shot on ILFORD FP4 PLUS...
Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Photography: Off the job – Shot on ILFORD FP4 PLUS at...
Off the job
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC...
Photography: Inside out – Shot on ILFORD FP4 PLUS at EI...
Inside out
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon...
5 Frames With… ILFORD FP4 PLUS (EI 125 / 35mm /...
Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my smaller film bodies.
Photography: Acrobatics – Shot on ILFORD FP4 PLUS (35mm format)
Acrobatics
Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm formatContax 139Q + Carl Zeiss Tessar T* 45mm f/2.8
Read the ILFORD FP4 PLUS review
Development notesKodak HC-110: 1+31(B), 24°C/75°F, 07:00 (N
Photography: My pond has no fish – Shot on ILFORD FP4...
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6x6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Photography: Resident’s association – Shot on ILFORD FP4 PLUS at EI...
Resident's Association
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Photography: Postie – Shot on ILFORD FP4 PLUS at EI 100...
Postie
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Holga 120 PAN + Schneider Angulon 90mm f/6.8
Read the ILFORD FP4 PLUS review
Photography: Got…that…itch… – Shot on ILFORD FP4 PLUS at EI 125...
Got...that...itch...
Shot on ILFORD FP4 PLUS at EI 125
Black and white negative film in 35mm format
Photography: Lunch for three – Shot on ILFORD FP4 PLUS at...
Lunch for three
Shot on ILFORD FP4 PLUS at EI 125
Black and white negative film in 35mm format
Photography: No flyers – Shot on Kodak Plus-X 125 (35mm)
No flyers
Shot on Kodak Plus-X 125 at EI 100
Black and white negative film in 35mm format
Photography: Into the breeze – ILFORD FP4 PLUS (35mm format)
Into the breeze
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
Photography: You’ve got me spinning – ILFORD FP4 PLUS (35mm format)
You've got me spinning
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
You've got me spinning
Ilford FP4+ shot at EI 400.
Photography: Taking out the trash – ILFORD FP4 PLUS (35mm format)
Taking out the trash
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
Photography: Steamroom – Ilford FP4+ (35mm)
Steamroom
Ilford FP4+ shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Photography: The gatekeeper – ILFORD FP4 PLUS (35mm format)
The gatekeeper
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
Photography: Break time – Ilford FP4+ (120)
Break time
Ilford FP4+ shot at EI 400
Black and white negative film in 120 format shot as 6x6
1+1/3 stop push
Photography: Street racers – Shot on ILFORD FP4 PLUS at EI...
Street racers
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here.
Photography: Would you like younger looking skin? – Shot on ILFORD...
Would you like younger looking skin?
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here
Cheat sheet: ILFORD FP4 PLUS development times – EI 100 to...
Over the years I've built up a large bank of development times and schemes for many black and white films, old and new;
