Put your feet up
Shot on ILFORD FP4 PLUS at EI 800.
Black and white negative film in wide 35mm format (TEXPan).
Push processed 2⅔-stops.
Fuji GW690III + EBC Fujinon 90mm f/3.5.
Development notes
Kodak HC-110: 1+31(B
Off the job Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji …
Read morePhotography: Off the job – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Inside out Shot on ILFORD FP4 PLUS at EI 800. Black and white negative film in wide 35mm format (TEXPan). Push processed 2⅔-stops. Fuji GW690III …
Read morePhotography: Inside out – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my smaller film bodies.
Acrobatics
Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm formatContax 139Q + Carl Zeiss Tessar T* 45mm f/2.8
Read the ILFORD FP4 PLUS review
Development notesKodak HC-110: 1+31(B), 24°C/75°F, 07:00 (N
My pond has no fish
Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops
Read the ILFORD FP4 PLUS review
Resident’s Association
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Postie
Shot on ILFORD FP4 PLUS at EI 100
Black and white negative film in 35mm format
Holga 120 PAN + Schneider Angulon 90mm f/6.8
Read the ILFORD FP4 PLUS review
Got…that…itch…
Shot on ILFORD FP4 PLUS at EI 125
Black and white negative film in 35mm format
Lunch for three
Shot on ILFORD FP4 PLUS at EI 125
Black and white negative film in 35mm format
No flyers
Shot on Kodak Plus-X 125 at EI 100
Black and white negative film in 35mm format
Into the breeze
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
You’ve got me spinning
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
You’ve got me spinning
Ilford FP4+ shot at EI 400.
Taking out the trash
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
Steamroom
Ilford FP4+ shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
The gatekeeper
ILFORD FP4 PLUS shot at EI 400
Black and white negative film in 35mm format
Push processed 1+2/3 stops
Read the ILFORD FP4 PLUS review.
Break time
Ilford FP4+ shot at EI 400
Black and white negative film in 120 format shot as 6×6
1+1/3 stop push
Street racers
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here.
Would you like younger looking skin?
ILFORD FP4 PLUS shot at EI 800
Black and white negative film in 35mm format
Push processed 2+2/3 stops
Read the ILFORD FP4 PLUS review here
Over the years I’ve built up a large bank of development times and schemes for many black and white films, old and new;
