Tag: EI 100
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Photography: Buoy oh buoy! – Fuji Provia 100F – RDP III (120)
Buoy oh buoy! Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Read the Fuji Provia 100F (RDP III) review here.
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Photography: Shoreline – Shot on Kodak EKTACHROME Professional Plus 100 – 6005 at EI 100 (120 format)
Shoreline Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100. Color reversal (slide) film in 120 format shot as 6×6.
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Photography: Dried out – Shot on Kodak T-MAX 100 TMX at EI 100 (120 format)
Dried out Shot on Kodak T-MAX 100 (TMX) at EI 100. Black and white negative film in 120 format shot as 6×6.
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Photography: On the range – Fuji Pro 160NS (120)
On the range Shot on Fuji Pro 160NS at EI 160 Colour negative film in 120 format shot as 6×6
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Photography: 50/50 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
50/50 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Purrrple – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Purrrple Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Hasselblad 32E Push processed 1-stop Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide
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Photography: Spring buds #01 – Shot on Kodak EKTACHROME 100VS E100VS at EI 100 (120 format)
Spring buds #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film shot as 6×6 Hasselblad 32E Push processed 1-stop Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Zip ties – Agfa CT Precisa 100 (35mm)
Zip ties Shot on Agfa CT Precisa 100 at EI 100 Color reversal (slide) film in 35mm format
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Photography: Gimme that sh*t – Fuji Reala 100 (35mm)
Gimme that sh*t Shot on Fuji Reala 100 at EI 100 Color negative film in 35mm format
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Photography: Tivolina – Shot on Fomapan R 100 at EI 100 (120 format)
Tivolina Shot on Fomapan R100 at EI 100 Black and white negative film in 120 format shot as 6×6
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Photography: Dragon’s eye – Kodak Ultracolor 100 (35mm)
Dragon’s eye Shot on Kodak Ultracolor 100 at EI 100 Color negative film in 35mm format
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Photography: Split #07 – Shot on Fomapan R 100 at EI 100 (120 format)
Split #07 Shot on Fomapan R 100 at EI 100Black and white negative film in 120 format shot as 6×6 SplitShot on Fomapan R100 at EI 100.Black and white negative film in 120 format shot as 6×6.
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Photography: Road hogs – Agfa Precisa CT 100 (35mm)
Road hogs Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross processed
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Photography: One more coat – Kodak Ektar 100 (35mm)
One more coat Kodak Ektar 100 shot at EI 50 Color negative film in 35mm format Push processed 2-stops
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Photography: 門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)
門 / mén / door #02 Shot on Fuji Provia 100F (RDP
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Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)
Bougainvillea bonsai Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 4×5 format Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic Read the Fuji Provia 100F (RDP III) review here.  
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Photography: In thought – ADOX Silvermax 100 (35mm)
In thought Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Stop – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Stop Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Safe harbour – Shot on ADOX Silvermax 100 at EI 100 (35mm format)
Safe harbour Shot on ADOX Silvermax 100 at EI 100 Black and white negative film in 35mm format
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Photography: Fire damage – ADOX Silvermax 100 (35mm)
Fire damage Shot on ADOX Silvermax 100 at EI 200 Black and white negative film in 35mm format Push processed 1 stop
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