Morning light
Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop
Morning light
Shot on Kodak EKTACHROME 100 (E100) at EI 200
Color reversal (slide) film in 35mm format
Push processed one stop
Pure Colombian
Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6
Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
Bound
Shot on Fuji Provia 100F (RDP
Tussled
Shot on Fuji Provia 100F (RDP
365 textures #02
Shot on Kodak PROFESSIONAL ELITE Chrome
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Seventeen sticks
Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
Light pollution
Shot on Fuji ACROS 100 at EI 50
Black and white negative film in 120 format shot as 6×6
Pull processed one stop
Bound
Shot on Fuji Superia 100 at EI 100
Color negative film in 35mm format
Picnic time
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
To the bitter end
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Single minded
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Scrambler
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
5 o’clock shadow
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
Tricolore #02
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal (slide) film in 35mm format
Read the Fuji Velvia 100 (RVP100) review here.
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
Don’t leave your sh1t at the beach
Shot on Kodak Ektar 100 at EI 100
Color negative film in 35mm format
Over processed one stop.
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in 120 format shot as 6×12 Push processed one stop Development notes: Kodak HC-110: 1+47, 20°C/68°F, 10:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
Child-friendly facilities
Shot on Lomography Lomochrome Purple XR 100-400 at EI 400
Color negative film in 35mm format
Snuggle buddies
Shot on Lomography Orca 110 at EI 80
Black and white film in 110 format