Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Second choice – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format, cross processed, Hasselblad 2000FCW […]
Tag: Color Reversal (Slide) Film
Posted inMedium format
Photography: Hanging hopes out to dry – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Cross processed Read the EKTACHROME 100VS reviewRead the EKTACHROME 100VS experimentation guide (push and cross-processing) Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8 Hanging hopes out to dryShot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 […]
Posted inMedium format
Photography: Zoom and enhance – Shot on Kodak EKTACHROME E100VS at EI 100 (120 format)
Shot on Kodak EKTACHROME E100VS at EI 100Color reversal (slide) film in 120 format shot as 6x6Hasselblad 2000FCW + Carl Zeiss Planar F 80mm f/2.8
Posted inMedium format
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center
Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME review
Dead
Posted inMedium format
Photography: Rested – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Rested
Shot on Kodak AEROCHROME III 1443 at EI 400
Color infrared aerial surveillance film in 120 format shot as 6×6
Shot with #21 orange filter
Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
Read the Kodak AEROCHROME
Posted inMedium format, Photography
Photography: On point – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
On point
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Posted inMedium format, Photography
Photography: 1, 2, 3… – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
1, 2, 3…
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Posted inMedium format, Photography
Photography: Left – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Left
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×4.5
Posted inMedium format, Photography
Photography: Meeting place – Shot on Fuji Velvia 50 RVP50 at EI 50 (120 format)
Meeting place
Shot on Fuji Velvia 50 (RVP 50) at EI 50
Color reversal (slide) film in 120 format shot as 6×6
Posted inMedium format, Photography
Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Wow, what a difference!
Shot on Fuji Provia 100F (RDP III) at EI 100.
Color reversal (slide) film in 120 format shot as 6×6.
Cross processed.
Posted inArticles
Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)
Ready to roll
Shot on Fuji Velvia 100 (RVP100) at EI 100
Color reversal film in 35mm format
Cross processed
Read the Fuji Velvia 100 (RVP 100) review here.
Posted inMedium format
Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot
Shot on Fuji Provia 100F (RDP III
Posted in35mm format, Darkroom printing, Photography
Photography: Tanked – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 at EI 100 (35mm format)
Tanked
Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted in35mm format, Darkroom printing, Photography
Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Leica M6 TTL + Voigtlander 21mm f/4
Posted in35mm format, Darkroom printing, Photography
Photography: Baroo? – Shot on Kodak EKTACHROME 64T (EPY) at EI 64 (35mm format)
Baroo?
Shot on Kodak EKTACHROME 64T (EPY) at EI 64
Color reversal (slide) film in 35mm format
Posted in35mm format, Darkroom printing, Photography
Photography: Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Tiered
Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100
Color reversal (slide) film in 35mm format
Cross processed
Posted in35mm format, Darkroom printing, Photography
Photography: Kodak EKTACHROME E100 comparison #04: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #04
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Posted in35mm format, Darkroom printing, Photography
Photography: Kodak EKTACHROME E100 comparison #03: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #03
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Posted in35mm format, Darkroom printing, Photography
Photography: Kodak EKTACHROME E100 comparison #02: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #02
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
Posted in35mm format, Darkroom printing, Photography
Photography: Kodak EKTACHROME E100 comparison #01: EI 100, EI 200 and EI 100 XPRO (35mm format)
Kodak (new) EKTACHROME E100 comparison #01
EKTACHROME E100 at EI 100: Ricoh GR1s (C-41 cross process)
EKTACHROME E100 at EI 100: Nikon F100 + Nikkor 50mm f/1.8 AF-D (E-6 development)
EKTACHROME E100 at EI 200: Nikon FM3A + Nikkor 50mm
