Tag: Black and White Negative Film
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Photography: At play – Shot on Ilford FP4+ (35mm)
At play Shot on Ilford FP4+ at EI 400 Black and white film in 35mm format Push processed 1+1/3 stops
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Photography: Betel nut zip line – Shot on ILFORD Delta 400 Professional (35mm format)
Betel nut zip line Shot on Ilford Delta 400 Professional at EI 800 Black and white film in 35mm format Push processed one stop
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Photography: Cold rolled steel – Kodak T-MAX 100 TMX (120)
Cold rolled steel Shot on Kodak T-MAX 100 at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Elbow grease – Kodak T-MAX 100 (120)
2016-05-19 – Elbow grease Kodak T-MAX 100 shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 3 stops
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Photography: Waiting for first catch – Kodak T-MAX 400 TMY 6053 (120)
Waiting for first catch – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: All wrapped up – Kodak T-MAX 400 TMY 6053 (120)
All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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Photography: Prayer gates – Shot on Kodak EASTMAN Double-X 5222 at EI 250 (35mm format)
Prayer gates Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format Push processed 1 stop
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EMULSIVE interview #78: I am Johann Bottos and this is why I shoot film
We’re here today with landscape photographer Johann Bottos, Italian native but (for the time being), settled in Austria Not to diminish the wonderful images and narrative below but Johan is what one might call a little nutty about mountains. Over
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Photography: Come and get ’em – Ilford FP4+ (120)
2016-05-12 – Come and get ’em Ilford FP4+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: To infinity – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 (35mm)
To infinity Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 200 Black and white negative film in 35mm format
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Photography: Budding – Efke R25 (120)
Budding Shot on Efke R25 at EI 25 Black and white negative in 120 format shot as 6×6
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Photography: I am a wall – Kodak BW400CN (120)
I am a wall – 2016-04-25 Kodak BW400CN shot at EI 400 black and white negative in 120 format shot as 6×6
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Photography: Wavy lines – Kodak T400CN (120)
Wavy lines – 2016-04-25 Kodak T400CN shot at EI400 Black and white negative in 120 format shot as 6×6
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Photography: Glow – Shot on Kodak High Speed Infrared / HIE at EI 100 (35mm format)
Glow Kodak High Speed Infrared / HIE shot at EI 100 Black and white infrared film in 35mm format
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Photography: Creep – Shot on Rollei Superpan 200 at EI 3 (120 format)
Creep Rollei Superpan 200 shot at EI 3 Black and white film in 120 format shot as 6×6 R72 filter Read the full Rollei Superpan 200 review here…and don’t forget the experimentation guide!







