Tag: Black and White Negative Film
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Photography: Street racers – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Street racers ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here.
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EMULSIVE 52 Rolls 2016 – Week 18-21 update
I started off my last 52 Rolls update saying I was BORED. Well, by the time week 18 (May 2-8, 2016) rolled around, not much had changed.
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Photography: Would you like younger looking skin? – Shot on ILFORD FP4 PLUS at EI 800 (35mm format)
Would you like younger looking skin? ILFORD FP4 PLUS shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops Read the ILFORD FP4 PLUS review here
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Photography: Filthy habit – Ilford FP4+ (35mm)
2016-09-07 – Filthy habit Ilford FP4+ shot at EI 800 Black and white negative film in 35mm format Push processed 2+2/3 stops
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Photography: Step right up – Fuji Acros 100 (35mm)
Step right up Shot on Fuji Acros 100 at EI 200 Black and and white negative film in 35mm format Push processed two stops
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Photography: Twin trams – Fuji Acros 100 (120)
2016-08-29 – Twin trams Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Stumped – Shot on Polypan F at EI 400 (35mm format)
Stumped Shot on Polypan F at EI 400Black and white negative film in 35mm formatPush processed three stops StumpedPolypan F shot at EI 400.Black and white negative film in 35mm format.Push processed three stops.
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Photography: Tuning forks – Shot on ILFORD FP4 PLUS at EI 125 (35mm format)
Tuning forks Shot on ILFORD FP4 PLUS at EI 125Black and white negative film in 35mm format Tuning forksILFORD FP4 PLUS shot at EI 125.Black and white negative film in 35mm format.
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Photography: Should’ve posted to Instagram – Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 (35mm)
Should’ve posted to Instagram Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 400 Black and white negative film in 35mm format
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Photography: Everything must go – Shot on EASTMAN DOUBLE-X 5222 at EI 250 (35mm)
Everything must go Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 250 Black and white negative film in 35mm format
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Photography: …through yonder window – Fuji Neopan 400 (35mm)
2016-07-17 – …through yonder window Fuji Neopan 400 shot at EI 400 Black and white negative film in 35mm format
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Photography: Forest floor – Ilford Delta 400 Professional (35mm)
Forest floor Shot on Ilford Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Razor thin – Agfa APX 400 Professional
Razor thin Shot on Agfa APX 400 Professional at EI 400 Black and white negative film in 35mm format
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Photography: Bound – Shot on EASTMAN DOUBLE-X 5222 at EI 1600 (35mm)
Bound Shot on Kodak EASTMAN DOUBLE-X 5222 at EI 1600Black and white negative film in 35mm formatPush processed 2+2/3 stops
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Photography: Rapids – Ilford Delta 400 Professional (35mm)
Rapids Shot on ILFORD Delta 400 Professional at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Don’t mind me – Shot on Fuji NEOPAN SS 100 at EI 100 (35mm format)
Don’t mind me Fuji Neopan SS 100 shot at EI 100 Black and white negative film in 35mm format
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Photography: Hibiscus – Agfa APX 400 Professional (35mm)
2016-07-28 – Hibiscus Agfa APX 400 Professional shot at EI 400 Black and white negative film in 35mm format
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Photography: Letters to the editor – Ilford HP5+ (35mm)
Letters to the editor Shot on Ilford HP5+ at EI 800 Black and white negative film in 35mm format Push processed one stop
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Photography: Leverage – Kodak Hawkeye Traffic Surveillance Black and White Film 2485 (35mm)
Leverage Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800 Black and white negative film in 35mm format Push processed one-stop
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Photography: …long into the night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485
…long into the night Shot on Kodak Hawkeye Traffic Surveillance Black and White Film 2485 at EI 800. Black and white negative film in 35mm format. Push processed one-stop.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
