Advertisement

Tag: Agfa Precisa CT 100

Popular right now

I am #EMULSIVE and this is why I shoot film

Posted by EMULSIVE | Mar 22, 2017 | Interviews

EMULSIVE interview #77: I am Lucy Wainwright and t...

Posted by EMULSIVE | May 10, 2016 | Interviews

EMULSIVE interview #153: I am Yusuf Wiryonoputro a...

Posted by EMULSIVE | Sep 13, 2017 | Interviews

Zip ties – Agfa CT Precisa 100 (35mm)

Posted by EMULSIVE | Apr 11, 2017 | 35mm format, Photography

EMULSIVE interview #61: I am Chris Wood and this i...

Posted by EMULSIVE | Feb 23, 2016 | Interviews

At speed – Agfa Precisa CT 100 (35mm)

Posted by EMULSIVE | Dec 28, 2016 | 35mm format, Photography

Our 20 most recent articles

5 Frames With… Agfa Precisa CT 100 (EI 100 / 35mm / Minolta X-700) by Stigg Starr

by Stig Starr | Oct 9, 2017 | 5 Frames With, Articles, Film Reviews, Fuji Films

Having done a ‘5 Frames With’ from a camera point of view already for Hamish at 35mmc, so doing...

Madison river bend – Shot on Agfa Precisa CT 100 (35mm)

by EMULSIVE | Oct 9, 2017 | 35mm format, Photography

Madison river bend Shot on Agfa Precisa CT 100 at EI 100 Color reversal (slide) film in 35mm...

EMULSIVE interview #153: I am Yusuf Wiryonoputro and this is why I shoot film

by EMULSIVE | Sep 13, 2017 | Interviews

I’m a huge fan of today’s interviewee, he’s responsible for some of the most...

Zip ties – Agfa CT Precisa 100 (35mm)

by EMULSIVE | Apr 11, 2017 | 35mm format, Photography

Zip ties Shot on Agfa CT Precisa 100 at EI 100 Color reversal (slide) film in 35mm format ...

Road hogs – Agfa Precisa CT 100 (35mm)

by EMULSIVE | Mar 24, 2017 | 35mm format, Photography

Road hogs Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross...

I am #EMULSIVE and this is why I shoot film

by EMULSIVE | Mar 22, 2017 | Interviews

Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you...

At speed – Agfa Precisa CT 100 (35mm)

by EMULSIVE | Dec 28, 2016 | 35mm format, Photography

At speed Agfa Precisa CT 100 shot at EI 100 Color reversal (slide) film in 35mm format Cross...

EMULSIVE interview #77: I am Lucy Wainwright and this is why I shoot film

by EMULSIVE | May 10, 2016 | Interviews

Today we’re sitting down with She Shoots Film founding member and Film Shooters Collective...

EMULSIVE 52 Rolls 2016 – Week 06-09 update

by EMULSIVE | Mar 7, 2016 | 52 Rolls, Articles

Time for a look at the latest frames from week 06-09 2016 of my 52 Rolls project (not 06-10, as I...

Final throes of winter – Agfa Precisa CT 100 (XPRO)

by EMULSIVE | Feb 24, 2016 | 35mm format, Photography

Agfa Precisa CT 100 shot at ISO100 Color reversal (slide) film in 35mm format Cross processed Like...

EMULSIVE interview #61: I am Chris Wood and this is why I shoot film

by EMULSIVE | Feb 23, 2016 | Interviews

Welcome to this week’s EMULSIVE interview, featuring the thoughts and photography of Chris Wood,...

Peek-a-boo – Shot on Agfa CT Precisa 100 (35mm)

by EMULSIVE | Nov 23, 2015 | 35mm format, Photography

Peek-a-boo Shot on Agfa Precisa CT 100 at EI 100 Color reversal (slide) film shot in 35mm format ...

Find stuff

All Categories

Articles (597)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
  - Delta Def Jam (7)
  - FP4 Party (15)
  - NEOPANTASTIC (3)
  - Portra Party (2)
  - Summer Film Party (7)
  - TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
Chroma Cameras (1)
Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
Interviews (203)
- Community Interviews (11)
Photography (1,108)
- 110 format (4)
- 35mm format (491)
- 5 Frames With (112)
- 65mm format (3)
- Large format (13)
- Medium format (483)
Reviews (278)
- Camera Reviews (69)
  - A&K Cameras (1)
  - AGFA Cameras (1)
  - Bronica Cameras (6)
  - Canon Cameras (2)
  - Chamonix Cameras (1)
  - Exakta Cameras (1)
  - Fuji Cameras (4)
  - Gould Cameras (1)
  - Hasselblad Cameras (7)
  - Holga Cameras (3)
  - Impossible Cameras (1)
  - Intrepid Cameras (1)
  - Kodak Cameras (3)
  - Leica Cameras (1)
  - Lomography Cameras (3)
  - Mamiya Cameras (6)
  - Minolta Cameras (1)
  - Nagaoka Cameras (1)
  - Olympus Cameras (3)
  - Pentax Cameras (4)
  - Ricoh Cameras (1)
  - Rollei Cameras (3)
  - Steky Camera Reviews (1)
  - Vermeer Cameras (1)
  - Voigtlander Cameras (1)
  - Yashica Cameras (3)
  - Zeiss Cameras (1)
  - Zeiss Ikon Cameras (2)
  - Zorki Cameras (1)
- Film Reviews (194)
  - ADOX Films (2)
  - AGFA Films (4)
  - Arista Films (1)
  - Bergger Films (11)
  - CineStill Films (6)
  - Dubblefilm films (1)
  - Efke Films (1)
  - FILM Ferrania Films (10)
  - Film List (7)
  - Foma Films (4)
  - Fuji Films (40)
  - ILFORD Films (37)
  - JCH Films (4)
  - Kodak Films (55)
  - Lomography Films (11)
  - Luckyfilm Films (4)
  - Notes (7)
  - Revolog Films (2)
  - Rollei Films (13)
  - Shanghai Films (1)
  - Silberra Films (3)
  - Street Candy Films (1)
  - Tasma Films (1)
  - Ultrafine Films (1)
  - Washi Films (3)
  - Yodica Films (1)
- Gear Reviews (14)
  - Bag Reviews (3)
  - Darkroom Equipment (4)
  - Lens Reviews (4)
  - Scanners (1)
  - Strap Reviews (2)
- Print Reviews (3)

All Categories

Articles (597)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (7)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
  - Delta Def Jam (7)
  - FP4 Party (15)
  - NEOPANTASTIC (3)
  - Portra Party (2)
  - Summer Film Party (7)
  - TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (2)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (11)
- Projects (28)
- Secret Santa (16)
- Thoughts (14)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
Chroma Cameras (1)
Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
Interviews (203)
- Community Interviews (11)
Photography (1,108)
- 110 format (4)
- 35mm format (491)
- 5 Frames With (112)
- 65mm format (3)
- Large format (13)
- Medium format (483)
Reviews (278)
- Camera Reviews (69)
  - A&K Cameras (1)
  - AGFA Cameras (1)
  - Bronica Cameras (6)
  - Canon Cameras (2)
  - Chamonix Cameras (1)
  - Exakta Cameras (1)
  - Fuji Cameras (4)
  - Gould Cameras (1)
  - Hasselblad Cameras (7)
  - Holga Cameras (3)
  - Impossible Cameras (1)
  - Intrepid Cameras (1)
  - Kodak Cameras (3)
  - Leica Cameras (1)
  - Lomography Cameras (3)
  - Mamiya Cameras (6)
  - Minolta Cameras (1)
  - Nagaoka Cameras (1)
  - Olympus Cameras (3)
  - Pentax Cameras (4)
  - Ricoh Cameras (1)
  - Rollei Cameras (3)
  - Steky Camera Reviews (1)
  - Vermeer Cameras (1)
  - Voigtlander Cameras (1)
  - Yashica Cameras (3)
  - Zeiss Cameras (1)
  - Zeiss Ikon Cameras (2)
  - Zorki Cameras (1)
- Film Reviews (194)
  - ADOX Films (2)
  - AGFA Films (4)
  - Arista Films (1)
  - Bergger Films (11)
  - CineStill Films (6)
  - Dubblefilm films (1)
  - Efke Films (1)
  - FILM Ferrania Films (10)
  - Film List (7)
  - Foma Films (4)
  - Fuji Films (40)
  - ILFORD Films (37)
  - JCH Films (4)
  - Kodak Films (55)
  - Lomography Films (11)
  - Luckyfilm Films (4)
  - Notes (7)
  - Revolog Films (2)
  - Rollei Films (13)
  - Shanghai Films (1)
  - Silberra Films (3)
  - Street Candy Films (1)
  - Tasma Films (1)
  - Ultrafine Films (1)
  - Washi Films (3)
  - Yodica Films (1)
- Gear Reviews (14)
  - Bag Reviews (3)
  - Darkroom Equipment (4)
  - Lens Reviews (4)
  - Scanners (1)
  - Strap Reviews (2)
- Print Reviews (3)

Recent Comments

Advertisement