Tag: 6×6 Aspect Ratio
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Photography: Private sale – Shot on Fujifilm NEOPAN 100 ACROS at EI 100 (120 format)
Private sale Shot on Fujifilm NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Development notes Kodak HC-110 1+47 (E): 20°C/68°F, 07:00 (N) 1-minute presoak, 30 seconds initial agitation, 1 inversions / 30 seconds, 5-minute rinse
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Photography: Palm Grove – Shot on Kodak AEROCHROME III 1443 (120)
Palm grove Shot on Kodak AEROCHROME III 1443 at EI 400 Color infrared aerial surveillance film in 120 format shot as 6×6 Shot with #21 orange filter Read the Kodak AEROCHROME review
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Photography: 100,000 paper cranes – Kodak Vericolor III VPS 6006 (120)
100,000 paper cranes Kodak Vericolor III (VPS 6006) shot at EI 100 Color negative film in 120 format shot as 6×6
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Photography: Splayed – Kodak Portra 400VC (120)
Splayed Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as 6×6
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Photography: Barred skies – Kodak Portra 400 (120)
Barred skies Shot on Kodak Portra 400 at EI 400 Color negative film in 120 format shot as 6×6
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Photography: Flaky – Kodak Portra 400VC (120)
Flaky Shot on Kodak Portra 400VC at EI 320. Color negative film in 120 format shot as 6×6.
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Photography: Raise the roof – Fuji NPS 160 (120)
Raise the roof Fuji NPS 160 shot at EI 100 Color negative film in 120 format shot as 6×6 Over exposed 2/3 of a stop
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Photography: Paint job – Fuji NPS 160 (120)
Paint job Shot onFuji NPS 160 at EI 100 Color negative film in 120 format shot as 6×6 Over exposed 2/3 stop
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Photography: Last light – Shot on Kodak Ektar 100 at EI 800 (120)
2016-10-05 – Last light Kodak Ektar 100 shot at EI 800 Color negative film in 120 format shot as 6×6 No push processing / under exposed 2 stops
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Photography: Turquoise butterflies – Lomochrome Turquoise XR 100-400 (120)
Turquoise butterflies Lomochrome Turquoise XR 100-400 shot at EI 50 Color negative film in 120 format shot as 6×6
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Photography: Seen better days – Kodak EKTACHROME E100GP (120)
2016-09-15 – Seen better days Kodak EKTACHROME E100GP shot at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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EMULSIVE interview #105: I am Jasjit Singh and this is why I shoot film
It’s that time of week again, time to sit down with another film photographer and find out what makes them tick.
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Photography: Just a little peek – Fuji Superia 100 (120)
2016-08-31 – Just a little peek Fuji Superia 100 shot at EI50 Color negative film in 120 format shot as 6×6
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Photography: Bokehlicious feline – Fuji Provia 400X – RXPIII (120)
2016-08-30 – Bokehlicious feline Fuji Provia 400X (RXP 400) shot at EI 400 Color reversal (slide) film in 120 format 2x Teleconverter, Cross processed
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Photography: Twin trams – Fuji Acros 100 (120)
2016-08-29 – Twin trams Fuji Acros 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Waiting – Fuji Pro 160NS (120)
2016-08-01 – Waiting Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed 1+1/3 stops
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Photography: Darkness and light – Kodak EKTACHROME E200 (120)
Darkness and light Shot on Kodak EKTACHROME E200 at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: Dragon’s pearl – Kodak EKTACHROME E200 (120)
Dragon’s pearl Shot on Kodak EKTACHROME E200 at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: Rusted open – Shot on Kodak EKTACHROME E200 at EI 100 (120 format)
Rusted open Shot on Kodak EKTACHROME E200 at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8
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Photography: Underside – Kodak EKTACHROME E200 (120)
Underside Shot on Kodak EKTACHROME E200 at EI100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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