6x6


Scripted delivery - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops

Photography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Scripted delivery Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl Zeiss …

Read morePhotography: Scripted delivery – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Nature always wins - Shot on CatLABS X-Film 80 at EI 50 - Black and white negative in 120 format shot as 6×6 - Pull processed 2/3 stops

Photography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)

Nature always wins Shot on CatLABS X-Film 80 at EI 50Black and white negative in 120 format shot as 6×6Pull processed 2/3 stops Hasselblad 2000FCW / Carl …

Read morePhotography: Nature always wins – Shot on CatLABS X-Film 80 at EI 50 (120 format)

On the job - shot on ILFORD Delta 400 at EI 25600. Black and white negative film in 120 format shot as 6x6. Push processed 6-stops.

Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad …

Read morePhotography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)

Tread carefully - ILFORD HP5 PLUS shot at EI 3200. Black and white negative in 120 format shot as 6x6. Push processed 3 stops.

Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)

Tread carefully

Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45

Side entrance - Shot on Fujifilm NEOPAN 100 ACROS at EI 200. Black and white negative film in 120 format shot as 6x6. 1-stop push process.

Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)

Side entrance #02

Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process

Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8

 

Development notesKodak HC-110 1+47 (E

5 o'clock shadow - Shot on ILFORD HP5 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Hasselblad 2000 FCW / Carl Zeiss Planar F 80mm f/2.8.

Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)

5 o’clock shadow

Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8.

Read the ILFORD HP5 PLUS review.

Development notesKodak HC-110 1+47

Up and to the right #02 - ILFORD SFX 200 shot at EI 6. Black and white infrared sensitive film in 120 format shot as 6x6. Zeiss Distagon CFi 50mm f/4 + R72 IR filter.

Photography: Up and to the right #02 Shot on ILFORD SFX 200 shot at EI 6 (120 format)

Up and to the right #02
Shot on ILFORD SFX 200 at EI 6
Black and white infrared sensitive film in 120 format shot as 6×6
Zeiss Distagon CFi 50mm f/4 + R72 IR filter

 

 

 

Pure Colombian - Shot on Konica Pan 100 at EI 100 - Black and white negative film in 120 format shot as 6x6

Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)

Pure Colombian

Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6

Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.

Stand alone - Shot on ILFORD PAN F PLUS at EI 32. Black and white negative film in 120 format shot as 6x6.

Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)

Stand alone

Shot on ILFORD PAN F PLUS at EI 32
Black and white negative film in 120 format shot as 6×6
Over-developed 2/3 stop
Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4

 

Development notes
Cinestill Df96 monobath

Left on - Shot on Fuji NEOPAN 100 ACROS at EI 100. Black and white negative film in 120 format shot as 6x6. Kodak Aero Ektar 178mm f/2.5.

Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar …

Read morePhotography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)

Not in stock - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Photography: Not in stock – Shot on Rollei Ortho 25 at EI 25 (120 format)

Not in stock

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

Light traffic - Shot on Rollei Ortho 25 at EI 25. Black and white negative film in 120 format shot as 6x6.

Photography: Light traffic – Shot on Rollei Ortho 25 at EI 25 (120 format)

Light traffic

Shot on Rollei Ortho 25 at EI 25
Black and white negative film in 120 format shot as 6×6

 

Development notes:
Rodinal: 1+50, 21°C/70°F, 06:00 (N)
No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse

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My pond has no fish - Shot on ILFORD FP4 PLUS at EI 400. Black and white negative film in 120 format shot as 6x6. Push processed 1+2/3 stops.

Photography: My pond has no fish – Shot on ILFORD FP4 PLUS at EI 400 (120 format)

My pond has no fish

Shot on ILFORD FP4 PLUS at EI 400
Black and white negative film in 120 format shot as 6×6
Push processed 1 2/3 stops

Read the ILFORD FP4 PLUS review

 

 

 

Flow - Shot on Kodak Tri-X 400 at EI 51200. Black and white negative film in 120 format shot as 6x6. Push processed seven stops.

Photography: Flow – Shot on Kodak Tri-X 400 at EI 51200 (120 format)

Flow

Shot on Kodak Tri-X 400 at EI 51200
Black and white negative film in 120 format shot as 6×6
Push processed seven stops