Tag: 6×12
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Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01 Shot on ILFORD Delta 100 Professional at EI 200 Black and white negative film in...
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Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness Shot on Kodak EKTACHROME E200 at EI 200 Color reversal (slide) film in 120...
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The staircase – Shot on Kodak Vericolor 160 VPS 6006 (120 format)
The staircase Shot on Kodak Vericolor 160 VPS 6006 at EI 100 Color negative film in 120 format...
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Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02 Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as...
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Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps Shot on Shanghai GP3 100 at EI 100 Black and white negative film in 120 format shot as...
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Death Valley Approach #03 – Shot on Kodak EKTACHROME 100GP (120)
Death Valley Approach #03 Shot on Kodak EKTACHROME 100GP (E100GP) at EI 100. Color reversal...
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Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb Shot on Ultrafine Xtreme 400 at EI 400 Black and white negative film in 120 format...
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Off the wall – Kodak T-MAX 400 (120)
Off the wall Shot on Kodak T-MAX 400 at EI 400 Black and white negative film in 120 format shot as...
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Where’s my second coat? – Fuji Pro 400H (120)
Where’s my second coat? Shot on Fuji Pro 400H at EI 400 Color negative film in 120 format...
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I am #EMULSIVE and this is why I shoot film
Welcome to this week’s EMULSIVE interview! Today’s interviewee is someone a few of you...
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Spring growth – Ilford Pan F+ (120)
Spring growth Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as...
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On edge – Ilford Pan F+ (120)
On edge Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as 6×12...
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門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01 Ilford Pan F+ shot at EI 32 Black and white negative film in 120 format shot as...
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Creeping up – Kodak Portra 800 (120)
Creeping up Shot on Kodak Portra 800 shot at EI 800 Color negative film in 120 format shot as...
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Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials
“The Speed Graphic. A camera barely alive. We can rebuild him. We have the technology. We...
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Redfern – Lomography Redscale XR 50-200 (120)
Redfern Lomography Redscale XR 50-200 shot at EI100 Color redscale negative in 120 format shot as...
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EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It’s time for another update! This time I’ll be taking you through...
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Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset Kodak Portra 400VC shot at EI 320 Color negative film in 120 format shot as...
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Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01 Kodak Pro 400 MC 6059 shot at EI 320 Color negative film in 120 format...
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Zion NPS #01 – Shot on Kodak Vericolor 160 VPS 6006 (120 format)
Zion NPS #01 Shot on Kodak Vericolor 160 VPS 6006 shot at EI 100 Color negative film in 120 format...
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All Categories
- Articles (603)
- 52 Rolls (9)
- A Brief History Of (1)
- AEROgraphic (6)
- Challenges (1)
- Community Critique (1)
- Dear Benice (8)
- Film Culture (20)
- Film Love (7)
- Film Parties (39)
- Delta Def Jam (7)
- FP4 Party (15)
- NEOPANTASTIC (3)
- Portra Party (2)
- Summer Film Party (7)
- TMAXParty (5)
- Finding Film (15)
- Horoscope (6)
- My inspiration (3)
- My Return to Film (9)
- News (15)
- Photoset (4)
- Photostory (12)
- Projects (28)
- Secret Santa (16)
- Thoughts (15)
- Travelogue (20)
- What Is (1)
- Why Shoot Film (5)
- Chroma Cameras (1)
- Darkroom (30)
- Developing Film (16)
- Development Times (2)
- My Darkroom (1)
- Printing (3)
- Wet Plate (1)
- Experiments (43)
- Long Exposure (3)
- Reversal Development (1)
- Interviews (204)
- Community Interviews (11)
- Photography (1,115)
- 110 format (4)
- 35mm format (495)
- 5 Frames With (114)
- 65mm format (3)
- Large format (13)
- Medium format (484)
- Reviews (279)
- Camera Reviews (69)
- A&K Cameras (1)
- AGFA Cameras (1)
- Bronica Cameras (6)
- Canon Cameras (2)
- Chamonix Cameras (1)
- Exakta Cameras (1)
- Fuji Cameras (4)
- Gould Cameras (1)
- Hasselblad Cameras (7)
- Holga Cameras (3)
- Impossible Cameras (1)
- Intrepid Cameras (1)
- Kodak Cameras (3)
- Leica Cameras (1)
- Lomography Cameras (3)
- Mamiya Cameras (6)
- Minolta Cameras (1)
- Nagaoka Cameras (1)
- Olympus Cameras (3)
- Pentax Cameras (4)
- Ricoh Cameras (1)
- Rollei Cameras (3)
- Steky Camera Reviews (1)
- Vermeer Cameras (1)
- Voigtlander Cameras (1)
- Yashica Cameras (3)
- Zeiss Cameras (1)
- Zeiss Ikon Cameras (2)
- Zorki Cameras (1)
- Film Reviews (195)
- ADOX Films (2)
- AGFA Films (4)
- Arista Films (1)
- Bergger Films (11)
- CineStill Films (6)
- Dubblefilm films (1)
- Efke Films (1)
- FILM Ferrania Films (10)
- Film List (7)
- Foma Films (4)
- Fuji Films (40)
- ILFORD Films (37)
- JCH Films (4)
- Kodak Films (56)
- Lomography Films (11)
- Luckyfilm Films (4)
- Notes (8)
- Revolog Films (2)
- Rollei Films (13)
- Shanghai Films (1)
- Silberra Films (3)
- Street Candy Films (1)
- Tasma Films (1)
- Ultrafine Films (1)
- Washi Films (3)
- Yodica Films (1)
- Gear Reviews (14)
- Bag Reviews (3)
- Darkroom Equipment (4)
- Lens Reviews (4)
- Scanners (1)
- Strap Reviews (2)
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