6x12
Photography: Day market #01 – Shot on ILFORD Delta 100 Professional at EI 200 (120 format)
Day market #01
Shot on ILFORD Delta 100 Professional at EI 200
Black and white negative film in 120 format shot as 6x12
Push processed one stop
Development...
Photography: Altitude sickness – Kodak EKTACHROME E200 at EI 200 (120 format)
Altitude sickness
Shot on Kodak EKTACHROME E200 at EI 200
Color reversal (slide) film in 120 format shot as 6x12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6x12 film back
Photography: The staircase – Shot on Kodak Vericolor III VPS 6006 (120 format)
The staircase
Shot on Kodak Vericolor III VPS 6006 at EI 100
Color negative film in 120 format shot as 6x12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6x12 film back
Photography: Oregon Sunset #02 – Shot on Kodak Portra 400VC at EI 320 (120 format)
Oregon Sunset #02
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6x12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6x12 film back
Photography: Steppps – Shot on Shanghai GP3 100 at EI 100 (120 format)
Steppps
Shot on Shanghai GP3 100 at EI 100
Black and white negative film in 120 format shot as 6x12
Photography: Death Valley Approach #03 – Shot on Kodak EKTACHROME 100GP (120)
Death Valley Approach #03
Shot on Kodak EKTACHROME 100GP (E100GP) at EI 100.
Color reversal (slide) film in 120 format shot as 6×12.
Cross processed.
Photography: Out on a limb – Ultrafine Xtreme 400 (120)
Out on a limb
Shot on Ultrafine Xtreme 400 at EI 400
Black and white negative film in 120 format shot as 6x12
Photography: Off the wall – Kodak T-MAX 400 (120)
Off the wall
Shot on Kodak T-MAX 400 at EI 400
Black and white negative film in 120 format shot as 6x12
Graflex Pacemaker Speed Graphic / Kodak Aero Ektar 7" (178mm) f/2.5
Photography: Where’s my second coat? – Fuji Pro 400H (120)
Where's my second coat?
Shot on Fuji Pro 400H at EI 400
Color negative film in 120 format shot as 6x12
EMULSIVE interview #132: I am #EMULSIVE and this is why I shoot film
Welcome to this week's EMULSIVE interview!
Today's interviewee is someone a few of you may have heard of and to be frank, it's been a bit of headache to put together.
Photography: Spring growth – Ilford Pan F+ (120)
Spring growth
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6x12
Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic
Photography: On edge – Ilford Pan F+ (120)
On edge
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6x12
Schneider Super Angulon 90mm f/8 MC - Graflex Pacemaker Speed Graphic
Photography: 門 / mén / door #01 – Ilford Pan F+ (120)
門 / mén / door #01
Ilford Pan F+ shot at EI 32
Black and white negative film in 120 format shot as 6x12
Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic
Photography: Creeping up – Shot on Kodak Portra 800 at EI 800 (120 format)
Creeping up
Shot on Kodak Portra 800 at EI 800Color negative film in 120 format shot as 6x12
Creeping upShot on Kodak Portra 800 shot at EI 800.Color negative film in 120 format shot as 6x12.
Building a naked Aero Ektar Speed Graphic: The AEROgraphic project part 1 – introduction and required materials
This is the first of a six-part series in which I will describe the process of creating a "naked" Graflex Pacemaker Speed Graphic 4x5 camera and Kodak Aero Ektar lens combination;
Photography: Redfern – Lomography Redscale XR 50-200 (120)
Redfern
Lomography Redscale XR 50-200 shot at EI100
Color redscale negative in 120 format shot as 6x12
Kodak Aero Ektar 178/2.5
EMULSIVE 52 Rolls 2016 – Week 22-25 update
Roll up, roll up! It's time for another update!
This time I'll be taking you through week 22-25 2016, or as normal people say it, May 30th to June 26th.
Photography: Oregon Sunset #01 – Shot on Kodak Portra 400VC (120 format)
Oregon Sunset
Kodak Portra 400VC shot at EI 320
Color negative film in 120 format shot as 6x12
Graflex Speed Graphic / Kodak Aero Ektar 178mm f/2.5 / 6x12 film back
Photography: Death Valley Approach #01 – Kodak Pro 400 MC 6059 (120)
Death Valley Approach #01
Kodak Pro 400 MC 6059 shot at EI 320
Color negative film in 120 format shot as 6x12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6x12 film back
Photography: Zion NPS #01 – Shot on Kodak Vericolor III VPS 6006 (120 format)
Zion NPS #01
Shot on Kodak Vericolor III (VPS 6006) shot at EI 100
Color negative film in 120 format shot as 6x12
Graflex Speed Graphic
Kodak Aero Ektar 178/2.5
6x12 film back
