4x5 Format Film

The left of right - Shot on Rollei Infrared 400 at EI 400. Black and white negative film in 4x5 format. Graflex Speed Graphic, Graflex Optar 135mm f/4.7. Developed in Cinestill Df96 monobath.

Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)

The left of right

Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath

 

Above as below - Shot on ILFORD Delta 100 Professional at EI 100. Black and white negative film in 4x5 format.

Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)

Above as below

Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4×5 format

 

 

Bougainvillea bonsai - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 4x5 format. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.

Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)

Bougainvillea bonsai

Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

Read the Fuji Provia 100F (RDP III) review here.

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River trail trees after rain - Bobby Kulik

EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film

If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.

Week 16 2016 – Fuji Acros 100 - (120) EI 100

EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)

I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.

Lunar eclipse at Castle Rock. Fuji Velvia 4x5 - 150mm - 1 sheet, 26 exposures

EMULSIVE interview #74: I am Brian Miner and this is why I shoot film

35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project.

MC-finished_10

EMULSIVE interview #54: I am Marcus Carlsson and this is why I shoot film

Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.

We’ll be telling you more about his Analogue App a little later.