film.photography
The left of right
Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath
It must be 30 years since I’ve used ILFORD FP4 PLUS, of course, it was plain FP4 in those days (I stopped using it before the PLUS arrived in 1990).
Above as below
Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4×5 format
門 / mén / door #02
Shot on Fuji Provia 100F (RDP
Bougainvillea bonsai
Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic
Read the Fuji Provia 100F (RDP III) review here.
 
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.
Prayer day
Shot on Ilford HP5+ at EI 800
Black and white negative film in 4×5 format
Processed as slide film and pushed one stop
I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.
35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project.
In recent years I’ve turned into more of a do-it-yourself kind of guy. From starting leatherwork a few years back, to getting knee deep other crafts, hacks and mods.
Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.
We’ll be telling you more about his Analogue App a little later.
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher.
