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film.photography

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Home » 4x5 Format Film Camera

Tag: 4×5 Format Film Camera

The left of right - Shot on Rollei Infrared 400 at EI 400. Black and white negative film in 4x5 format. Graflex Speed Graphic, Graflex Optar 135mm f/4.7. Developed in Cinestill Df96 monobath.
Posted inLarge format, Photography

Photography: The left of right – Shot on Rollei Infrared 400 at EI 400 (4×5 format)

by EMSeptember 3, 2018July 31, 2021

The left of right

Shot on Rollei Infrared 400 at EI 400
Black and white negative film in 4×5 format
Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in Cinestill Df96 monobath

 

ILFORD FP4 PLUS - Leica M2 - Phil Harrison
Posted in5 Frames..., Articles

5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Leica M2)

by Philip HarrisonJune 18, 2018July 31, 2021

It must be 30 years since I’ve used ILFORD FP4 PLUS, of course, it was plain FP4 in those days (I stopped using it before the PLUS arrived in 1990).

Above as below - Shot on ILFORD Delta 100 Professional at EI 100. Black and white negative film in 4x5 format.
Posted inMedium format, Photography

Photography: Above as below – Shot on ILFORD Delta 100 Professional at EI 100 (4×5 format)

by EMMay 4, 2018July 31, 2021

Above as below

Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4×5 format

 

 

門 / mén / door #02 - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 4x5 format. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
Posted inLarge format, Photography

Photography: 門 / mén / door #02 – Fuji Provia 100F RDP III (4×5)

by EMMarch 16, 2017October 16, 2020

門 / mén / door #02

Shot on Fuji Provia 100F (RDP

Bougainvillea bonsai - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 4x5 format. Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
Posted inLarge format, Photography

Photography: Bougainvillea bonsai – Fuji Provia 100F – RDP III (4×5)

by EMMarch 14, 2017October 16, 2020

Bougainvillea bonsai

Shot on Fuji Provia 100F (RDP III) at EI 100
Color reversal (slide) film in 4×5 format
Kodak Aero Ektar 7″ (178mm) f/2.5 – Graflex Pacemaker Speed Graphic

Read the Fuji Provia 100F (RDP III) review here.

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River trail trees after rain - Bobby Kulik
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #93: I am Bobby Kulik and this is why I shoot film

by EMJuly 5, 2016October 16, 2020

If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority.

2016-06-24 - Prayer day - Ilford HP5+ shot at EI 800. Black and white negative film in 4x5 format. Processed as slides.
Posted inLarge format, Photography

Photography: Prayer day – Ilford HP5+ (4×5)

by EMJune 24, 2016October 16, 2020

Prayer day
Shot on Ilford HP5+ at EI 800
Black and white negative film in 4×5 format
Processed as slide film and pushed one stop

 

 

 

Week 16 2016 – Fuji Acros 100 - (120) EI 100
Posted inArticles

EMULSIVE 52 Rolls 2016 – Week 14-17 update (bonus large format)

by EMJune 22, 2016August 25, 2019

I’m bored. Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is.

Lunar eclipse at Castle Rock. Fuji Velvia 4x5 - 150mm - 1 sheet, 26 exposures
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #74: I am Brian Miner and this is why I shoot film

by EMApril 28, 2016October 16, 2020

35mm, medium format, large format…today’s interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he’s into year two of an ongoing large format 365 project.

EMULSIVE 4x5 grid overlay v1
Posted inArticles

Free download: large format camera grid overlay screen

by EMMarch 28, 2016August 25, 2019

In recent years I’ve turned into more of a do-it-yourself kind of guy. From starting leatherwork a few years back, to getting knee deep other crafts, hacks and mods.

MC-finished_10
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #54: I am Marcus Carlsson and this is why I shoot film

by EMJanuary 19, 2016October 16, 2020

Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.

We’ll be telling you more about his Analogue App a little later.

52 Rolls - Flea Market
Posted inArticles, Featured projects

52 rolls 2016 – Call for participants

by EMDecember 16, 2015October 16, 2020

One camera.

Electric Couch - Ilford HP5
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #30: I am Matthew Hinther and this is why I shoot film

by EMOctober 27, 2015October 16, 2020

Seriously, what is it about Large Format photography that makes me want to literally dive in to an image?

Inside The Kiva 1472
Posted inFilm Photographer Interviews, Interviews

EMULSIVE interview #10: I am Craig Pindell and this is why I shoot film

by EMAugust 18, 2015October 16, 2020

We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher.

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Long into the night - Kodak Hawkeye Traffic Surveillance Black and White Film 2485 shot at EI 800. Black and white negative film in 35mm format. Push processed one-stop.
Photography: …long into the night – Kodak Hawkeye Traffic Surveillance Black and White Film 2485
Auto sprinkler - Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 35mm format. Leica M6 Voigtlander 21mm f/4.
Photography: Auto sprinkler – Shot on Fuji Provia 100F RDP III – 35mm
Dead center - Shot on Kodak AEROCHROME III 1443 at EI 400. Color infrared aerial surveillance film in 120 format shot as 6x6. Shot with #21 orange filter.
Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Chillin' - Fuji Provia 100F (RDP III) shot at EI 100. Color reversal (slide) film in 120 format shot as 6x6.
Photography: Chillin – Fuji Provia 100F – RDP III (120)
Tricolore - Macophot Ortho 25 shot at EI 25. Black and white negative film in 35mm format.
Photography: Tricolore #01 – Shot on Macophot Ortho 25 at EI 25 (35mm format)
Naughty chair - Shot on Fuji NEOPAN 400 at EI 400. Black and white negative film in 35mm format.
Photography: Naughty chair – Shot on Fuji NEOPAN 400 at EI 400 (35mm format)
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EMULSIVE is (among other things) a space for film photographers of all backgrounds to spread knowledge, experience and thoughts about everything related to film photography.

  • 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)
  • Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan Kehlenbach
  • 5 Frames… Of ILFORD FP4 PLUS with my new Contax clone (35mm format / EI 100 / Kiev-4a + Jupiter 8M 50mm f/2) – by John Tarrant
  1. Jon Woodhams on 5 Frames… Of a weekend in NYC on ILFORD Delta 3200 Professional (EI 3200 / 35mm format / Nikon FM2 + Nikon Nikkor 50mm f/1.8 AF-D)June 27, 2022
  2. Dan Kehlenbach on Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan KehlenbachJune 27, 2022
  3. Susan Phillips on Hidden in Plain Sight: A 36-Day Quest to Discover the Daily Miracle of Nature’s Quiet Moments – by Dan KehlenbachJune 26, 2022
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